Archive for the Arts (Design & Performance) Category

Stuffed Animal Meeting

Posted in Acting / Puppets / Plays, Creativity / Imagination, Fictional Characters, Uncategorized with tags , , , , , on June 17, 2020 by Drogo

Recently, I was able to photograph a secret toy meeting in progress.

It seems that Medium Panda, Blue Pigeon, Fluffy Chicken, and Tiny Dovelet were practicing egalitarian economics. They had four coins, which they were sharing.

20200615_192733

Suddenly Giant Panda pounced on them! Tiny Dovelet was able to escape with the coins, and sat on Giant Pandas head. Sadly Dovelet did not want to give the money away.

20200615_193059

Music Theory Basics – Octave Paradox

Posted in Music Reviews, POB Audio, Science & Math, Uncategorized with tags , , , , , , , , , , , , , , , , on June 7, 2020 by Drogo

The Chromatic-Key Problem of Definition 

In music theory tone (note) scales are divided into ‘octaves’. Octave comes from the Latin root word for ‘eight’ (oct-). Octaves are 8 key notes labeled as 8 alphabet letters; A up to G repeated. The measuring of octaves is based on the ancient Greek geometrical distance method of double or half the frequency vibration of the other. Originally octave note measuring was based on strings, then tuning forks, and now modern Hz devices. Octave key notes are called ‘natural’, but notes are infinitely divisible; so there are major and minor scales with sharps (#) and flats (b). Sharps are higher than the natural note they are near, and flats are lower than their natural note; so A# is going to range higher than A until the mid-point between B where the tone becomes Bb. However B# is equal to C natural; thus begins the organic complexity of 12 note chromatic scale within an octave. Even with equal tempering, octave patterns can be more confusing than regular whole number arithmetic.   

Chromatic sharp scale (low to high) is A, A#, B, B#/C, C#, D, D#, E, E#/F, F#, G, G#. The chromatic flat scale is the reverse but with flats instead of sharps. These 12 chroma notes are similar to human voices because they do not divide the octaves equally. Voices are chromatic chords because they are not confined to natural or perfect key pitches, as the multiple sub-tones within a voice may bend sharps and flats, while the loudest sub-tone would be the note the voice registers as. What tones or chords we consider to be dissonant or harmonious are based on chromatic ratios and combinations. Pythagorean tuning was a Greek system where the frequency interval ratios are 3:2. The Pythagorean ratio is called the pure or ‘perfect fifth’, chosen because it is consonant for tuning by ear, and their cult obsession with the integer 3. The octave paradox can be explained as a chromatic-key math problem; where octave scale notes are based on multiples of 2 (such as 8 and 12), and note interval ratios are based on 3. Two is an even number, and Three is an odd number; therefore algebraic equations can express this issue of octave scales.  

Chromatic Ratio Equations:  F#/Fn = R x R x Fn = R^2 x Fn = G ; E#/Fn = R^12 ; R = 1.059

[SCOD theory by Drogo, written to understand his own confusion regarding basic music theory]

‘Math and Music 1’ youtube video

*

AMM ALM – ‘All Lives Matter’ Album Series

Posted in Ethics & Morals, POB Audio, Poems, Rhymes, Riddles, Politics, Protests / Riots, Song Lyrics & Analysis, Uncategorized with tags , , , , , , , , , , on June 5, 2020 by Drogo

Skin color is surface, culture is deep.

ALM Album Related AMM (Appalatian Mountain Malitia) Music Sets –

‘ALM Black Light‘ & ‘Black Lives Matter Too; Not Just Rich Lives‘ & ‘No Lives Matter’

All lives matter (ALM), not only RICH lives; no matter the color. RAINBOW power. Black Lives matter (BLM) even during a ‘Trumpster Fire‘ when they are being treated like they don’t matter. All lives matter, even when they are not being respected. This AMM album series was recorded in West Virginia (under-ground) old school; and remixed as live sets during the Covid Crisis Protests, enjoy. The ALM and BLM movements are together (2016). Our current civil unrest is more about working rights for all citizens and races, which worries the 1%. No matter how you identify, here’s rainbow in your eye.

This album series is live FB DJ set recordings from AMM 2006 to 2020, past and present mix. It includes a variety of music styles and voices recorded in the Harpers Ferry, WV area (304). AMM was founded by JB CODIAK and friends. ALM Album themes range from MLK, Black Panther, to Death Rap. Besides being generally anti-racist, because members and associates can be any race combination and identify as whatever they want; AMM supports progressive politics like UBI, UHC, and zero tolerance for police aggression.

All Lives Matter‘ provocative phrase and word semantics regarding racist (human vs ethnic) perspectives:

“According to an August 2015 poll, 78% of likely American voters said that the statement ‘All Lives Matter’ was “closer to their own” point of view than was ‘Black Lives Matter’. Only 11% said that the statement Black Lives Matter was closer. Nine percent said that neither statement reflected their own point of view.” 

President Barack Obama spoke to the debate between Black Lives Matter and All Lives Matter. Obama said, “I think that the reason that the organizers used the phrase Black Lives Matter was not because they were suggesting that no one else’s lives matter … rather what they were suggesting was there is a specific problem that is happening in the African-American community that’s not happening in other communities.” He also said “that is a legitimate issue that we’ve got to address.”

MacHatfield on ALM – “No matter how “woke” a pc person thinks they are, this phrase is not offensive to say it; it is not an “either/or” it is inclusive of all human races (the term “race” being fake or artificial). If people want to say ‘Black Lives Matter’ (BLM) to talk about people who appear or identify as black, they can; but BLM has been used to imply that black lives don’t matter currently (to who?), which is racist because black lives actually do matter, despite how racist the system or individuals are; and no matter how much it makes anyone feel like black lives dont matter, many of us have always felt black lives matter (audience is critical). Black lives do matter (speaking to anyone who thinks they don’t), and the BLM phrase does point out that law enforcement and corporate society treats most blacks (who also, no coincidence to the history of slavery, are often poor) terribly; most of these ‘black’ are people who cannot afford lawyers or the cost of living. There are statistics that show those identified as “blacks” suffer more than “whites”, no matter the actual “racial” mix of the person (see social-racial identity). The ‘Black Lives Matter’ movement has been a large part of the Covid Protests, but dividing ourselves by race is what the rich masters always want. The issues affecting “black americans” are class, not just surface racism but systemic economic working-class injustice too; which is sustained by race wars among workers. Minorities feel the oppression by corporate bosses the worst, because they are used as ‘scab-labor’ when the majority (whites) strike. To use the terms ‘black’ or ‘white’ to describe people can be called racist, since it is a surface description that assumes stereo-types belonging to most people who appear light or dark skinned should or should not have any number of cultural attributes which make them another race, other than human. I fucking hate Nazi racists, no matter their color.”

“While the immediate spark for this moment was the brutal murder of George Floyd, his killing was not an isolated event. It is not the first time a black man has called out “I can’t breathe” as he was choked or lynched. We can draw a straight line that runs from slavery, to Jim Crow, to legal segregation, to de facto segregation, to institutional racism, to the killings of so many in recent years – George Floyd, Breonna Taylor, Freddie Gray, Michael Brown, Tamir Rice, Eric Garner, Trayvon Martin, Ahmaud Arbery, and others.” – MD Senator Van Hollen

Most of us can agree that skin color is superficial. White and Black cultures are actually not as black-and-white as the labels might appear. Cultures are not bound by simplistic definitions of appearance; cultures are complex and overlap as they change. And change they do, despite conservative cores, cultures constantly evolve just as species do. Cultural depth includes problems of poverty, working class racism, public and private violence, wars, family, and plutocracy etc. Racism is used as a tool for warfare against other individuals or groups who appear different, and are blamed for problems; however as a cultural tool racism mainly benefits those in power over the majority, while the masses insult and harm each-other. It is easy to use racial labels to insult people we don’t like, because we want to use anything we can to hurt them; but the more people resort to judging by appearance, the more racism becomes a problem for everyone.

Law enforcement is a class struggle, where oligarchs wage war against the lower classes legally. Racial diversity on police forces has not stopped the war on the poor. Enforcing laws more aggressively against the poor, more than enforcing laws (at least those that exist) against the bigger rich thieves, benefits those running the show. History has shown that companies will break worker unions any way they can, and scab race wars is most effective to keep wages low. General strikes are most effective for equality, when most workers are willing to refuse to work for masters.

RIP M.F. and J.J. on this album. Special thanks to Donald Greene for donating the pre-AMM archives from his personal collection.

‘All Lives Matter’set 1 on FB

‘ALM Black Light – set 2 on FB

Black Lives Matter Too; Not Just Rich Lives – set 3 on FB

‘No Lives Matter’  – set 4 on FB

black lives matter

‘Magic Rock’ song spell

Posted in Hikes, Pagan, Sculpture with tags , , , , , , , , , , , , , , , , , , on May 28, 2020 by Drogo

It was a case of unsolved mystery
jamie and trevor makin history
johnson family makin good
magic creek rock in the wood
signs in a stone to summon luck
magic rock helped them to make a buck
nature walk, magic rock, magic rock, magic rock

– Lyrics by Drogo

‘Magic Rock’ Punk Rock Karaoke version on Audiomack

inspired by a true story, told by ‘Unsolved Mysteries’ the show:

“On Saturday, May 14, 1988, thirteen-year-old Jamie Parks and his friend, Trevor Johnson, went into the woods in Washington State near the Canadian border and found a bizarre rock with strange, cryptic, alien-like drawings on it. Trevor told his parents, Steve and Pattie, about their discovery. At the time, the Johnsons were struggling to pay the bills and risking everything on a small dress shop that was opening in a new mall. Pattie took a second job as a receptionist to help pay for their rent, while Steve worked as a prison corrections officer. She later quit her job to open the store; however, this backfired when construction on it fell behind. After learning of the rock, Steve hiked to the spot with Trevor and was also interested in it. Just two days later, the Johnsons’ luck began to change for the better.”

SCOD Urban Architecture Notes

Posted in Alternative Architecture, Book Reports, Critical Commentary of Civilization, Historic Architecture, Languages, Politics, Pub Library, Recommendations & Tributes, SCOD Online School, Sustainability, Uncategorized with tags , , , , , , , , , , , , , , , on May 17, 2020 by Drogo

American architecture has ‘plurality and duality’. We have a variety of expression with scales of space and attitude, for the rich and poor. We have a modern design duality of rectilinear and organic architecture. Rectilinear modernists have been influenced by: Gropius, Loos, Corbu, Mies, Meier, Kahn, and Johnson. Organic modernist heroes are fewer, and there are fewer of us: Wright, Moss, Gehry, Solari, and Predock.

New Urbanist sprawl still faces the problems of commercialism vs community. Their planning principles have helped us to have more mixed-use zoning, but we still have the problems of Capitalism in decline, with an expanding lower class, destroyed middle class, and imperial upper class. New developments in Maryland and West Virginia seem to ignore the problems of population debt infrastructure, ecological devastation, agricultural decline, and transportation congestion all for the sake of profit.

Moynihan said our cities were ‘soulless’, like Diogenes he was holding a lamp for architectural self-examination. Cities are not as safe as we would like, and we should always remember their epitaphs are too often ‘military target’. Violence and migration are the main problems of our ‘urbane’ urban design. We have so often been wrong in our problem solving, it is clear we need to learn more from our past patterns of tradition. The corruption in politics that creates bad planning, can only be countered by an aware and active population willing to conspire and protest more than the elites can bribe, to bring attention to values which cannot be bought. 

‘A Pattern Language’ by Chris Alexander explains how architecture is about relationships. There are many cultural associations and historical traditions that can be better than soulless sterile machines for living. Architecture is sculpture for living, and we should not ignore sociology and heritage for the sake of industrial convenience to serve a consumer society that is destroying our global environment for profit. Yes we should have standards for structures that are able to shelter us without collapsing, but sustainability must also include the arts and nature.

 

References:

American House Now‘ by Doubilet & Boles

Better Places‘ Chapter in ‘Geography of NoWhere’

‘Pattern Language’ Relationships by Chris Alexander

New Urbanism, Second Generation‘ by Beth Dunlap

The Soulless City‘ by Moynihan

 

 

 

 

Art Color Theory

Posted in Crafts, Education / Schools, paintings, SCOD Online School, Uncategorized with tags , , , , , , , , , , , on May 11, 2020 by Drogo

Paint Color Names

Art Talk – by Drogo Empedocles  [Audio Recording]

art supplies 2

This is an essay on color theory for artistic paintings, and not a scientific theory of light colors. Both art and science can view colors according to spectrums. However, there are some paradoxes between science and art color theories; which I do not explore here (but I do in other places). The main paradox is evident in the ‘Key Theory Types’, which shows that light and pigments have opposite blending keys on the greytone spectrum. The other color paradoxes are mainly association vs property issues (blue-red frequencies, color seen is what is reflected, greytones are not colors of light, etc).

 

The best way to depict color theory is usually by Color Wheels, with pallets of various colors in relation to each-other. Colors have 3 aspects: the name of the color itself (hue), the value tint-shade, and the tone saturation (closeness to true mid-value relative to other hues). Increasing tonal contrast in an art composition maximizes tints, shades, and saturations to accentuate distinctions. Decreasing tonal contrast dulls everything to greytone neutrality. 

ryb color wheel

Color Controls (Hues): color names have ‘Tint and Tone’ (ie – light tint, vibrant tone)

Tint-Shade (Value) – true value, white adds brightness (tint), black adds darkness (shade) 

Tone (Chroma) – saturation of true value and contrast between values (intense vs. dull)

 

Types of Paint Colors: Greytone (black & white) and True Colors (first, second, third types)

12 True Colors: Red, Blue, Green, Yellow, Orange, Purple, Brown (Rust), Amber, Lime, Teal, Violet, Crimson

 

Key Theory Types:

Brown is the key mix of paints (RYB)

White is the key mix of light (RGB)

Black is the key mix of print ink or dye (CMY)

Grey is key mix of complementary (opposite tones and tints)

 

  1. Primary Colors (3): 

Paint (RYB) – Red, Yellow, Blue 

Light (RGB) – Red, Green, Blue 

(CMY is the subtractive paint inverse of RGB)

 

  1. Secondary Colors (3):

RYB – Orange, Purple, Green

RGB – Yellow, Magenta (light purple), Cyan (light blue-green)

 

  1. Tertiary Colors (6):

Red-orange (rust), yellow-orange (amber), yellow-green (lime), blue-green (teal), blue-purple (violet), red-purple (crimson)

 

Color Associations: cultural (neon as a bright tint, chinese red, pruscian blue), social, personal, complementary, and warm vs cool

Color families (names listed as light to dark values, mid being ‘true’):

Greens – lime, grass, clover, olive, true, forest

Reds – rose, tuscan, true, cardinal, scarlet, crimson

Blues – cyan (aqua-marine), teal (cerulean-sky), true, cobalt, indigo (ultra-marine)

Yellows – lemon, true, gold, mustard, tan-beige, ochre (orange)

Purples – pink, mulberry, lavender, violet, true, royal, carmine

Browns – oak (tan), ochre-oxide, wheat-grain, dirt, true, chocolate, caramel, indian carmine (redwood), Vandyke

Greys – light (white), mid, dark (black)

*

Drogo’s personal paint supply of small containers for paintings: 8 Greens (for plants & trees), 6 Reds, 5 Blues, 5 Yellows (+orange), 4 Purples (+pink), 3 Browns, 2 Greys, and White & Black in larger containers. 

 

 

 

 

Art Painting Brushes

Posted in Crafts, paintings, Uncategorized with tags , , , , , , , , , , , on May 10, 2020 by Drogo

Brush Types and Strokes

Art Talk – by Drogo Empedocles

art supplies 1

12 small brushes (apx. 1/4 inch bristles)

12 medium brushes (apx. 1″ long bristles)

5 large brushes (apx. a few inch bristles) 

 

Brush Types

Bristles (hairs) can be from animals or plastics. Shape combinations can include: flat, thin, wide, thick, coarse, and round

 

Stroke Techniques

There are wet and dry techniques for strokes. Stroke terms include: Dab, dash, drag, rendering (shading, texturing, stipple, hatch, cross-hatch), simple (forth), back-and-forth, feather, blobs (like when using a palette knife), gobs (like when pouring paint directly onto canvas), flick-splash, wash, …

CIA Crest Archive FOIA

Posted in Commercial Corporations, Futurist, History, Military, Uncategorized with tags , , , , , , , , , , on May 9, 2020 by Drogo

In 2017 about 13 million pages of declassified documents from the US ‘Central Intelligence Agency’ (CIA) were released online. The move came after lengthy efforts from freedom of information advocates and a lawsuit against the CIA. These ‘freedom of information act’ (FOIA) documents had previously only been accessible at the National Archives in Maryland. The trove includes the papers of Henry Kissinger, who served as secretary of state under presidents Richard Nixon and Gerald Ford, as well as several hundred thousand pages of intelligence analysis and science research and development.

The records were only available on four physical computers located in the back of a library at the National Archives in Maryland, between 09:00 and 16:30 each day. A non-profit freedom of information group, MuckRock, sued the CIA to force it to upload the collection, in a process which took years. At the same time, journalist Mike Best crowd-funded more than $15,000 to visit the archives, to print out and then publicly upload the records, one by one, to apply pressure to the CIA.

CREST: 25-Year Program Archive [link]

 

 

 

 

My Career in Art & Writing

Posted in Alternative Architecture, Creativity / Imagination, Critical Commentary of Civilization, Illustration, Interviews, jobs, Uncategorized with tags , , , , , , , , , on May 5, 2020 by Drogo

Memoir on My Career 2020, By Drogo Empedocles

 

I am defined socially by my supporters, more than if i were isolated and alone (obviously). Thank you for your support of my life’s work! Is my art and writing my career? I suppose it is, but not if careers must be defined purely by financial profit.

It is strange because my favorite parts of my education did not translate into making money in regular jobs, but i was not as prepared for regular jobs because of my own interests, which meant i cant really blame my art school because i didnt want the regular jobs it turns out. some of us need to spend fortunes to find that out, but trying to make the fortune back by working at regular jobs was the only real way to know whether or not there is a place there for me in conventional business. I like writing and art because I dont need a boss to do them. i still try to make money by selling my work to clients and pleasing patrons; but there is a big difference doing what i love my own way, and people supporting me as a friend, for favors that friends do. I always felt like having a boss meant i was doing work that i needed someone else to tell me how to do, so it was not really a job i would want, unless i was able to be the boss soon or the boss was my best friend. Only when my boss was friendly was a regular job even tolerable for me. Many people feel like they do not have a choice, and for many who just want to do what they are told for a paycheck or who need to provide for dependents maybe that is true; but i feel that if we want to be free, nothing can stop us from eventually quitting jobs that do not fit.

I have heard that being an adult means getting a regular job, to pay regular bills. In fact i always thought that would just happen naturally as an adult, that all my hard work in school would just translate to having the long lost career of my father’s generation. I have also heard that those pensions and life-long salaries are gone (although i still apply to the few that exist), and I know that technology has changed how work gets done, from even the ways I was taught with pencil and paper. I think this Covid Crisis is forcing society to change even more, towards the European socialist model, where a responsible civilization has a government that is by and for the people, and does not just use citizens to extract public resources for the rich. I mean, corporations still will do that, but adults will have a right to life, even if they are not enough of a competitive servant and smart enough to want to take more money from others than they need, simply because they ‘worked hard’ doing what someone else thought they should do. 

 

When someone says “if adults can’t make enough money as an artist, they should get a real job.” I imagine cutting their head off, and sending it to our magical boss; you know the one who would want an employee like me. I would get a gold star and a raise for sure.

SCOD Design Methodology 202

Posted in Alternative Architecture, ecovillages, Organic Architecture, SCOD Designs, SCOD Online School, SCOD Thesis, Uncategorized with tags , , , , , , , on April 7, 2020 by Drogo

How to Approach SCOD Design (updated 2020)

 

  1. Define linguistic terms for communication

Vocabulary: sustainable, community, cooperative, organic, dwelling, development, alternative architecture, art, science, nature, elements (parts), ecological (environmental), permaculture, homesteading

 

  1. Study statistics and discuss case studies (architecture types and styles): Historical, environmental, industrial (commercial), domestic (private), utilities, public (social), mixed-use, temporary, permanent, etc… [see scod blogs and references]

 

  1. Theory Assumptions: Commercial monopolies (Crony Capitalism) are destroying global eco-systems, contributing to dynamic climate change, and increasing consumerism and planned obsolescence that steals national wealth (socialism for plutocrats), which increases debt poverty and decreases democracy. [see scod philosophy and references sections]

 

  1. Design methods: Basic Needs Diagrams (3 survival, function, form, flow), 5 Elemental Forces Lists (air, fire, water, earth, spirit), Social Narratives (client description details of desires), legal framing (codes), cost estimates, construction procedure, timeline, etc. Develop your own scod design strategies based on case studies and assumptions.

 

5.  Design Images: drawings, models, multi-media

SCOD Design and Imagination

Posted in Cooperative collaboration, dreams, ecovillages, Ethics & Morals, Futurist, Organic Architecture, Psychology, relationships, Sustainability, Uncategorized with tags , , , , , , , , , , , , , , , on April 6, 2020 by Drogo

SCOD Design and Imagination – Theory Essay [recording]

Why study SCOD design? Be prepared not only for possible problems by designing better now; but also if there are systemic collapses, having a core homestead village for redesigning a new way of life will be important. People who can afford independent homesteads will have them, but those without enough money need more affordable housing now and in the future.

Some willing and able to share space will be the heart of a scod village, others will be on the fringes as independent owners or temporary visitors; but having communal space for everyone is important for social life, public events, and council meetings. If everyone could afford their own property and everything they need like rich people, then most would do that; but the reality is that currently the way our economy works is that most people cannot earn enough to afford an independent life, and so most people need shared public property but rarely get enough from our federal, state, or local governments.

SCOD focuses more on philosophy and psychology than militant or religious preppers, because the hardest test of conventional friendship or survival during an emergency is living with people. Knowing how to get basic needs met is critical, including during the most likely emergency scenarios (natural disaster, pandemic, or war); so that comes first. Once you know where to get your food, water, and shelter; the scod design method of infinite combinations will be based on access flow diagrams (see ‘SCOD Thesis’ for examples). SCOD does not encourage everyone to collect guns or have the same religion, because freedom and peace are mainly to be encouraged without force. Diversity of martial and work training, with healing arts and cultural beliefs are the core of scod negotiations, and the spices for the flavor of life.

Working and planning with all kinds of people does not need to be permanent. Diverse experience does not need to be a risky investment, it can best be achieved with limited projects with cooperative practice. The purpose of tests and exercises are to determine what works, and what does not for those involved. Dedication and trust are earned over time, and we simply cannot be dedicated to trusting everything in every way. We learn what is reasonable to expect with wisdom by trial and error, and we learn our own limits for negotiations. If there is no reason to invest in an unstable situation, it is wise to move on.   

If the factors work well they will, but there are so many possible scenarios that those who enjoy the joy of design and writing can explore possible plans without the costs of construction. We make do with what we have, and when we need more we can get it with will-power. The factors of design are as important to scod life as the basic elements they are based on, because scod design theory is a religion of architecture in that it should remind us the purpose of possessing, sharing, and maintaining structures and spaces. Exploring scod design theory is possible even if we never find the best possible factors with serious partners, and this point is the power of imagination. We can dream and be creative even if we have serious mental disabilities, physical disabilities, or are in prison or under quarantine. Enjoy yourself, scod.

*

The Problem of Systemic Change

Posted in Adaptive Reuse, Commercial Corporations, Critical Commentary of Civilization, Ethics & Morals, Futurist, Health & Fitness, History, Military, news, Rationality & Logic, Sustainability, Uncategorized with tags , , , , , , , , , , , , , , , , on February 29, 2020 by Drogo

Wave Pattern / Cyclical History Theory essay on civilization

Tidal Wave and Sail Boat[ Theme image – My ‘Tidal Wave and Sail Boat’ painting which is based on the ‘Great Wave’ by Hokusai with Van Gogh brush style. ]

Despite similarities of theories, violence vs non-violence is a critical factor for civil rights and modern history. Violent manifestos by the Unabomber or Discovery Channel Shooter, contradict the ethical wisdom of SCOD Theory. SCOD embraces more peaceful egalitarian democratic co-existence, because deconstructivist architecture can only go so far, until it has to be constructivist enough again to be utilized as shelter; the same SCOD theory applies to social systems as well. The problem of systemic change from intentional revolution is whether to advocate violence or non-violence; and how best to make needed changes. History and mythology tend to lionize violent war heroes; but modern history deviates from this due to the Civil Rights movement. 

The Netflix documentary on the Unabomber mentions the voluntary interrogation program (related to US secret agencies) at Ted’s University in relation to his psychology. I had not heard of it before, but it does sound very much like Project ‘Wormwood’ and other ‘MK-Ultra’ type operations that were unethical, and like war tend to create more terror. The paradox of using violence exists for the establishment as well as rebels. Very mathematical and scientific geniuses like Ted might have pre-existing mental health problems, but they need help rather than competitive character assassination which must lead to bodily incarceration or assassination. Despite their terrible methods, often terrorist rebels feel they are fighting for moral social or environmental justice. Their desire to do good can be encouraged with treatment, rather than pushed by further abuse or neglect. Hurting other humans tends to be less successful for defending causes, than non-violent civil disobedience protests and artistic expressions. 

SCOD theory favors peace and art not only as radical tools for social change, but also as parts of the utopian vision with which we would solve our problems and replace our systemic terror. The sadness of not being able to show your work to enough people to have a network of patrons, or the fear of not being worthy enough to do what you love are symptoms of a system that keeps us at perpetual war and in debt rather than free. Greater freedom means having more control over our own individual lives, and less dependent on the whims of others for the basics of life in civilization. The role of good democratic governments is to be run by the people, for the people. These reasons are why we like leaders like FDR (WW2 militancy aside), MLK, and Bernie Sanders. Environmental activist groups like Green Peace, ELF, Extinction Rebellion, and Sea Shepherd are disruptive so they make a social impact, but do not kill people.

Our corporate MIC (Military Industrial Complex) has our system so rigged, that paid players remove any real democratic opposition as ‘foreign influence’ aka ‘enemies of the state’ of the ‘War on Terror’ or the ‘NEW RED SCARE’. Our system bosses do not tolerate real change from third parties like the Green Party, because peace or environmental progress would reduce corruption. Corporate MIC propaganda war is a real problem.

Trump was a convenient democratic-republic glitch for corporations, as the system sometimes gets the ‘greater of two evils’ into office (see also Nixon, Reagan, and Bush I & II). Trump’s presidency was a result mostly of the corporate influenced electoral college and Hillary Clinton-DNC primary fraud. Corporate agents blame Russia for the Clinton-DNC emails getting leaked, but it was what was in the emails that turned blue states red (see WV and MI). Many voters hated Hillary Clinton so much that they voted for Trump, because at least he promised some of the liberal Bernie Sanders type changes (fighting corruption, universal health-care, and less wars). The obvious difference between Bernie Sanders and Trump is that Sanders has a successful record of fighting for populist positions like union worker rights over corporate profit; the campaign difference crucially enabled by grass-roots funding rather than corporate funding.

 The only way to hold the establishment accountable, is if you are not beholden to the criminals in power. The system usually removes peaceful potential threats like Tulsi Gabbard with smears, when they are too much against the MIC, and have too much credibility (Tulsi is an elected representative and veteran soldier), and tend to take assassination steps (foreign and domestic) when they have made too much change already (see history of CIA foreign coups, and the problematic Malcom-X, MLK, JFK, RFK cases). The Peace movement is not allowed to gain too much ground, because war is a racket for profit. People are beginning to see through the propaganda, I do not feel as alone anymore, from all the outlets I hear.

One famous example of internal change which can affect systemic change, is Dicken’s ‘Christmas Carol’. The main motivation which Scrooge will struggle with everyday after his Christmas morning revelation of joyful good-will, is his memory of the shocking awareness of self-made torture and terror that a snobbish demon of hell can be oblivious to otherwise. Religions tend to use both redemptive allegory (Jesus) and mythology (Revelation). Armageddon apocalypse mythologies are cyclical in that religions describe a ‘heavenly’ utopian life after death, before or after the next time a god decides to use their graceful warriors against their enemies. The Bible may promise eternal bliss, but it is quite clear that God can change his mind about promises if ‘Satan’ interferes (see Job). Although the ‘Beast’ may be defeated during one great war, it is clear that angels can fall from grace and become devils and demons who disobey. We have only one famous example, but how often it happens or what restrictions there may be in place at a later time are not at all clear. The Norse great apocalyptic war ‘Ragnarok’ is more clear about this wave pattern of decline and climax. The viking warriors believed that they must fight and die to go to the great hall (Valhalla) of Heaven (Asgard), where they would await the final battle of the gods after death, and the cycle of humans fighting and dying, and fighting as legendary deities would repeat again forever.

 

If we are the surviving minority, how would we make things better? How would our ‘good’ story of humanity resolve the problems of today in the future? Is it possible to have realistic and happy futurist visions?? I hope so.

*

[ Audio Recording of Essay ]

**

Corporate Media Addiction

Posted in Commercial Corporations, Cooperative collaboration, Cooperatives / Communities / Networks / Travels, Critical Commentary of Civilization, Ethics & Morals, Multimedia Communication, news, POB Audio, POB Video, Politics, Sustainability, Uncategorized with tags , , , , , , , , , , , , , , , , , on February 24, 2020 by Drogo

Do you have a loved one addicted to corporate media?

There is independent help available. [ SCODcast Audio Recording ]

This article is based on personal left-wing beliefs, supported by recent independent media Youtube channels. My primary premise for choosing channels that reflect my ethics are because it was impossible to find main-stream media support for the popular peace, civil rights, or environmental movements. Now that they are available, and even PBS and NPR are exposing their corporate bias, we have more options to get news and journalism and opinions which are better alternatives. My favorite daily ‘liberal’ media outlets are: Democracy Now!, Democracy At Work, The Ring of Fire, Kyle Kulinski, Humanist Report, Jimmy Dore, Kim Iverson, Redacted Tonight, The Real News, Joe Rogan, the Grayzone, Status Coup, and TYT (The Young Turks). TYT is one of the most influential networks, because they have funded many associates due to strong bold leadership from founder Cenk Uygur; who has also co-created ‘Justice Democrats’ (AOC and ‘The Squad’) and ‘Wolf Pack’ (get money out of politics). Some corporate shows (hosted by progressive liberal comedians like Cavett, Stewart, and Colbert) were able to entertain by pushing boundary issues in the name of getting laughs.

MSNBC, CNN, and other main-stream neo-liberal channels (stations) and newspapers are as saturated as Fox News by corporate propaganda at this point with their war on Bernie Sanders. They have always been centrist leaning for corporate wars, pollution, health-care, but on civil rights at least they were better than Fox; however now they are calling an anti-fascist leader a Nazi, which is obviously absurd. They are blatantly attacking the peace and environmental movements by speaking against our strongest leader. It is sad there is no main-stream outlet for a better future except for Bernie Sanders; but Sanders does represent the totality of liberal alternative visions for a stronger democracy and humanist America. Seeing them react so negatively when a civil rights leader becomes popular, exposes how serious they were about undermining leaders like Sanders from emerging in the first place. As Malcom-X said “The chickens have come home to roost.”

The Bank for International Settlements (BIS) central bank said (‘The Green Swan’ paper) that climate-related events could be the source of the next financial crisis. The increased frequency and intensity of extreme weather events could trigger non-linear and irreversible financial losses. In turn, the immediate and system-wide transition required to fight climate change could have far-reaching effects potentially affecting every single agent in the economy and every single asset price.

At Davos ‘Wall Street’ banks discussed how climate change alters the conversation around what economic growth can be, and how ‘policy-makers’ should pursue this end. “Debt, inequality and environmental damage are major issues for growth sustainability,” said economists at Deutsche Bank in a note last week. “However, one could argue that the first two are cyclical, whereas the third is potentially structural.” Deutsche Bank adds that, “The problem for the environmental lobby is that a world without economic growth may create a damaging backlash against such climate policies. Nevertheless, the problem with the status quo is that the irreversible damage to our planet will increase.”

Corporate media has been brain-washing most people to think the opposite of the populist reality however, and may help people to continue voting against their own interests for fake candidates that are always the lesser of two evils, rather than a legitimate candidate. It is worth noting that recently in elections their attempts backfire, and voters react by doing the opposite of what corporations want (2016 general and 2020 DNC Primary). The corporate DNC (Democrat Party National Committee) does not even need our over-paid top secret agencies to intervene for the establishment, because they steal the elections for corporations openly and legally in public, and with the help of commercial conditioning they even sway the popular vote. As a reminder to anyone who wants evidence of DNC rigging please reference the 2016 fallout: Jordan Chariton vs Donna Brazile, WV and MI voters chose Bernie unanimously and then voted for Trump, the Hillary Clinton email and DNC server scandal that revealed the rigging, and the DNC lawsuit where they basically stated on record “The DNC is allowed to make decisions that break its own rules, and we will do back-room deals anytime we want for the sake of our rich corporate donors”.

Corporate centrists argue “no reason to try things that will be defeated by republicans, because conservatives have all the power”, but the Obama message of “Yes we can!” is what leads and wins for populist causes (even though his policies were 1980s style republican according to Obama himself). Progress means pushing social boundaries, thus the name “progressive”. So it will be interesting to see how those the conservative corporate democrats (who think they are more practical) behave the more that Bernie wins. Is there a tipping point for many of them with money or social influence, if they have no personal integrity? How much corporate media addicts sell out to corporate interests is an interesting study. I think there is enough support for popular left ideas now to take over the DNC and replace the leaders, and those behind the times will either go to the republicans, as that party reforms after Trump, or get behind the civil rights movements our platform claims. The NEW GREEN DEAL is now a mainstream liberal political policy for implementation; if only corporate power can be checked.

There are a few things we can do to help those loved ones who cannot make the change for themselves, from corporate to independent parties or grassroots collective networks. The first thing is to play alternative forms of media for them; nice recordings of music they like, movies without commercials (Netflix), games, or local or online social groups. Next convince them to cancel their subscription to commercial cable TV and newspapers, at least for a trial period. Show them it is ok to let go of one habit, and replace it with a less destructive and more educational outlet. Finally show them you care by rewarding their cooperation with affection and gifts. Tell them over and over that they are not alone, and you love them.

Sharing Success

Posted in Cooperative collaboration, Crafts, Creativity / Imagination, Critical Commentary of Civilization, Ethics & Morals, jobs, Organic Development, relationships, Uncategorized with tags , , , , , , , , , , , , , , , , , , , on February 21, 2020 by Drogo

SCOD Sharing Culture and Brand Theory

Simply put, most of us cannot depend on financial success anymore, in an economy that is rigged against us more the harder we try. Also sometimes no matter how hard we try at things, we do not always get as good as others; but it is important to do what matters the most to us, even if we are disabled or never the ‘best’. Any success of my work is measured by who shares in the joy with me, because they understand the merits of doing what you love with friends by sharing, not trying to exclude by maximizing solitary ‘ownership’ profit at the cost of others. Those who like me for what I do and who I am will know that any concept of ‘brand’ that I have for myself is dedicated to changing the fake world of corporate representation into real organic cooperative democratic partnerships. I have been repulsed by the term ‘brand’ due to the painfully loaded corporate associations and assumptions that people will ‘buy into brands’ even when the corporate brand only considers them a consumer fan, and not a partner. It is possible that popular ‘brand’ ideology can be reclaimed from being like a cattle logo that is stamped on us, to something that we stitch into our own shared creations.

Organic cooperation is how we filmed our collective movies, how I do collaborative compositions and jam music, and how I produce art and books with other possessive egos involved. Those that want to do their own thing in order to always dominate attention, and have exclusive rights and profit just for their selfish inner circle are not part of what I define as being ‘worthy’ anymore. In previous decades I accepted that people felt forced to be greedy due to the rules; but I have been a part of sharing culture enough now to know that a viable alternative exists to the main-stream. Sure we cannot all get along all the time, and there will be some that we try to avoid; but as population increases compromises and truces built on love become more important to avoid hate and murder. We are all in this metaphysical mess together, whether you play with or against others is a personal choice. We all want to be left alone sometimes down by the creek; there will always be things we do not want to share all the time or in all ways, but relations dominate most of our lives and our proportion of sharing (willing or unwilling) increases with population density. 

One of the most important reasons for increased sharing at the highest levels has to do with top secret ‘national security’ issues that are defended by saying that there are no limits of the tyranny of power when it comes to perpetuating war and terror in the name of defense profit. The military industrial complex used our money and resources to wage war and destroy our global environment. Those in power who do not want to share have done terrible things that they have gotten away with, but it is very important to have more citizen journalists and non-fiction authors strive to share important facts that most of us would never know about.

In conclusion, ‘branding’ has the duality problem of “selling yourself”; selling out your integrity with an artificial facade vs marketing who you ‘really’ are. The more commercial a person is, the harder it is to distinguish the two, because they appear to be a ‘professional product’, not a real human. Most of us can be very competitive for survival, but collaboration is better than competition for sustaining happiness in any community.

SCOD Frederick Library Exhibit

Posted in Arts (Design & Performance), Cooperative collaboration, Events / Celebrations, Multimedia Communication, Services, Sales or Trade, Uncategorized with tags , , , , , , , , , , on February 15, 2020 by Drogo

SCOD Maryland, Frederick City Public Library Exhibit 

2020 Proposal-Statement

[currently in planning phase]

 

This SCOD (Sustainable Cooperative for Organic Development) group show promotes collaboration more than competition. Being able to exhibit our artistic expressions in public for free is how we win together by sharing. Awards at galleries do not need to be prize ribbons, we can be rewarded with attention and sales. If you like someone’s work, please make a note to find out more about them and contact them if you want to support them by owning and sharing some of their art.

Our goal with this project is to include as many partners as possible, and represent many styles and genres. SCOD art theory strives to remind us that modern art (impressionist to abstract) is not about elitist talent, because it was born from common desperation. The suffering of mental, physical, and economic disabilities caused some to declare “Dada! Art is for all!”. Even today we are realizing that indeed other animals create art to attract attention. As many fish and birds learn, beauty is in the eye of the beholder.