Archive for the Arts (Design & Performance) Category

Arboritecture – Tree Architecture

Posted in Alternative Architecture, Crafts, Futurist, inventions, Nature Studies, Organic Agriculture & Horticulture, Sculpture, Uncategorized with tags , , , , , , , on October 28, 2017 by Drogo

SCOD Tree Architecture – Arboritecture, a subset of Hortitecture

Trees could revolutionize our way of living, if we returned to living in and around them more. Conventional architecture is terrible at doing so, and is designed in opposition to trees, because vegetation touching dead building materials tend to make them rot. It is possible to live with an awareness of various levels of growth and decay, but it would require a culture more integrated with the natural environment.

Imagine devices that used living energy from photosynthesis. Design Science should explore the relationship of natural-artificial hybrids, methodologies of integrating plant matter into building fabric, issues of maintenance and sustainability, and ecological biological and organic architectural materials for environmental design.

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Sexism vs Feminism: as a male artist

Posted in Arts (Design & Performance), Pagan, Psychology, Uncategorized with tags , , , , , , , , , , , , , on October 18, 2017 by Drogo

About portraits of women as a male artist: Do all women have to be drawn by women, or only prudishly by men? Perhaps some feel in a Patriarchal society, men should be artistically castrated. When I am angry at men or myself, I do feel that severe hatred against abuse. If women do not think any man should be called a Feminist, they do not have to call me that, regardless of my intense desire to respect and love the symbol of divine feminine (goddess concept) which is in touch with humanity (the relation between our best qualities possible in reality, and the ideal mental world). Sometimes the difference between sexist exploitation and respect to a heroine in portraits is mood, attitude, and personality; and how much those are portrayed to the observer (beyond blatant abuse of a model). If the model conveys they are wanting to share their look with others, guarded or proud, warning or invitation, regardless of the photographer or artist, i think it speaks more about the model or the character of the subject as it should, since they are not meant to represent an object in the art, but a realistic living being with some kind of spirit. i think not all idols are false, if a person looks up to a hero as a subject of study and reflection. The humanity of a subject and how the observer feels about that, is where i like the activity to be. If i can get the observer to feel they have a relation to the subject, regardless of the artist, i feel successful. the power of emotion being with the subject actor, not the camera-man artist who best represents an observer. If an observer feels uncomfortable as an abuser or a victim of the subject, rather than as a more objective neutral non-judgmental observer, then it is no longer a show about observing, but participating like a theater in the round where the audience can get involved in the play, which is not predictable or safe, and can easily be condemned resulting from personal feelings from people who now feel a real involvement and responsibility to judge fellow participants in the act of art. i personally like to draw all shapes of people, some models do happen to be skinny, but i prefer to represent “normal sizes” which are realistically common, and work with people comfortable acting a role or presenting themselves how they want. Sometimes art involves normal traits and sometimes abnormal traits. . Large or small to me depends on the model, when using a model for who they are as a person, i like realism in proportion for serious pieces. For me the self-esteem of a model who I view as a friend is critical. If the observer views all sexuality as perversion, they will not like my observations of nature, and I must accept that is the view of many people who think women should be wrapped up and hidden from view, only men can be topless, or that all public nudity is sin (conservative society). Thank you for listening, enjoy art for art’s sake as much as possible, regardless of the human flaws of an artist that may or may-not be self aware of intentions and how those intentions relate to popular culture or social manners.

Appearance & Reality in Art

Posted in Arts (Design & Performance), Music Reviews, Philosophy, Uncategorized with tags , , , , , , on September 11, 2017 by Drogo

The best media that expresses the theme of appearance and reality, is the wide wonderful world of Art! One can assume that there are four sub-divisions of our sensorial existence in reality: visual reality, physical reality, olfactory reality, and audio reality; which are all dependent on each-other, and inter-connected with individual and group mental realities. There are also appearances of all our senses. A fifth sense could be considered to be our metaphysical imagination (spirit mind). Through drawing and painting visual arts, one experiences visual appearances and then mental appearance. Mental neocortical impressions of fantasy or reality, can be perceived in various combinations. That appearance can be taken to be the reality of what the art represents, until a later meditational analysis of our brains produces a different interpretation of our visual and mental reality, that we believe about the work of art; including what the art actually is, what it represents, and what it means to us or others.

For example, Pieter Bruegel the Elder based his detailed drawing work upon realistic observations, to represent figures and landscapes; however like Bosch, his art combines very surreal and fantastic aspects to what we can identify as figures and landscapes. Mental reality sinks in later, that his art cleverly pokes fun at the Christian Catholic Church. In fact, Bruegel ordered his wife to burn certain drawings because he thought they were “too biting and sharp”. Bruegel’s reality was hidden within the action, setting, and characters of his art works; because he was reluctant to openly admit his surreptitious views on the evils of society.

Bruegel earned his living producing drawings to be turned into prints for the leading print publisher Hieronymus Cock. His great successes were a series of allegories, which adopted many obsequious style mannerisms of his predecessor Hieronymus Bosch. In Bruegel’s works his sinners are grotesque, while the allegories of virtue wear odd head-gear. Imitations of Bosch sold well, like ‘Big Fish Eat Little Fish’ (Albertina), which Bruegel signed but Cock falsely attributed to Bosch in the print version.

Another example of a famous surreal artist is M.C. Escher. Maurits Cornelis Escher was brilliant for drawing impossible shapes, that appear to be possible 3-D objects at first due to his skillful rendering, but then reveal aspects of themselves to be mathematical line trickery upon further examination. Escher’s realism has 4 basic levels: structure, content, contour, and event integration. Structures in a drawing means 2-D surfaces are rendered with 3-D appearance, creating illusions of forms and spaces. Link structure with content phenomena, and form texture contours. Lastly, characters interact and integrate with setting events in a pluralistic world concept with recognizable motifs.

Salvador Dali is still the epitome of a modern surreal artist, even years after his death. Like other surreal artists, Dali leads the viewer’s mind through a maze, and then a sieve. Often his work is presented as being real in appearance, but in actuality is a painting, or photo, or film of dream-like illusions that are disturbing on a sub-conscious level. Dali creates appearance of fantasy, but the deeper Jungian subjective meanings are disturbingly hidden from casual glance.

Appearance and reality in music is strange to talk about, as we do not usually refer to sounding ‘realistic’, as we do with art appearing ‘realistic’. When music sounds real, we mean it sounds like a live orchestra or a real instrument, rather than an electronic synthesizer or recording. However music does create dramatic mental illusions with sound. Composers like Wagner, Mascagni, and Carl Orff were masters of telling audio stories to our hearing senses. Various musical instruments or voices can summon angry gods, peaceful landscapes, bold shining knights, beautiful flowers, and other associative feelings.

In poetry each verse gives an appearance to the reader or listener, and the reality derived is subjective. John Greenleaf Whittier’s poem ‘Snow Bound’ descriptively portrays New England life and structures during snow days. One can almost feel the cold of the snow, yet is kept warm by the brilliance of the writer’s passionate imagination. Lord Byron makes clear the emotions in many of his poems, creating ideal or realistic images within the reader’s head. Poets manipulate emotions with words, to engage the audience.

 

  •  [ from SCOD Thesis Philosophy Theories ]

Urban vs Rural Living Differences

Posted in Organic Development, Uncategorized with tags , , , , , , , on September 3, 2017 by Drogo

Living in an Urban City is different than living in the Rural Country, in a few ways. Civilization and Wilderness both have advantages and disadvantages when contrasted with each-other (pros and cons). People that love cities tend to focus on night-life, restaurants, and dependence on technology. People that love the country tend to focus on tranquility, nature, and independence from artifice. Fans of both often talk about their flow within the setting, and desired emotions evoked.

Associated Generalizations of

Urban / Rural

expensive / affordable

artificial / natural

utilities / agriculture

technology and shows / plants and animals

crowded crazy people / isolated crazy people

congested & stressed / relaxed & lazy

sidewalks / no sidewalks

complex / simple

no stars / stars

loud / quiet

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Urban + Rural = Suburban Sprawl – Wilderness

One of the major planning issues has become Suburban Sprawl. Frank Lloyd Wright was one of the first American architects to address the problem of sprawl in his Broadacre City design. Broadacre city was a modern blend of libertarian and futurist urban, industrial, and agricultural aspects important for civic functions.

(add SCOD thesis essays on sprawl)

 

 

 

 

Aeyla Interview

Posted in Interviews, jobs, POB Audio, Services, Sales or Trade, Uncategorized with tags , , , , , , on June 20, 2017 by Drogo

1 – name & title’ (ie Aeyla the Health Care Healer)

2 – what does love, or the drive to help other feel like, regardless of pay?

3 – What funds your career, and what would lead to a more Star Trek utopian future ideal for health care?

4 – How many types of disability, and to what degree of severity, do you serve?

5 – Are there equilibrium equations to calculate how many clients or pets can be cared for sustainably on various budgets?

Beamer Interview

Posted in Interviews, POB Audio, Uncategorized with tags , , , , , , on June 20, 2017 by Drogo

1 – Name & Title  (ie Beamer the Scientist)

2 – How can we get from where we are, to a more Star Trek utopian future based on Exploration and Diplomacy? (politics-tech-power-economics)

3 – Why do you love magnets, robots, & renewable energy???

4 – Are alternative fuel vehicles important for transitioning to renewable energy?

5 – What are some of the basic specs on your home solar panels, and do you have any tips for others interested in investing in solar panels??

Why Would an Artist Architect write a book on Economics & Politics??

Posted in Alternative Architecture, Economics, Environmentalism, Organic Development, Philosophy, Politics, Sustainability, Uncategorized with tags , , , , , , , , on May 15, 2017 by Drogo

Wealth inequality is on the rise.

What does that mean for regular people?

Rising wealth inequality nationally means the rich are getting richer, more drastically than before; and the poor are getting poorer, which means they will soon have the rights of displaced Native Americans from 100 years ago. Imagine how that might affect minorities like many blacks and natives who already have the poverty of third-world countries, but are required to pay the fees of first-world plutocrats and corporate cronies?

Most of us are still feeling the Great Recession in our daily lives. The national economic ‘growth’ data that popular economists use, shows that after the corporate bail-outs sectors of our economy grew. Can you guess what percentage of the population benefited from that growth? About 1%.

Many of us middle-class people are losing our wealth when we try to sell our homes because of banker-real-estate fraud on the buyer’s behalf, devaluing old homes in areas of slow growth and using tax money to build new developments which makes a few rich while we get poorer without as many jobs, because money has been drained from the middle to go to the top.

I remember when I first noticed corporate take-over locally in the 1990’s when Walmarts began ‘out-competing’ all the mom-and-pop small family owned stores, and almost monopolized the market even for large franchise chains. Cable-companies made fortunes stringing wires around the country, into rural areas, competing with ‘WV state-flowers’ and antenna TV. Larger companies replaced smaller ones, every-where.

It is time to change the system, but it is not all or nothing. There are elements of alternative systems every-where in history, and around us in America today. If we do not have a right to live, our leaders do not have a right to rule, because they enforce the laws that make us unable to provide for ourselves, laws which we need to take responsibility to change.

Power for the people, and by the people is a constant struggle. ‘Power to the people’! We have to take the power back, from the plutocrats. Economics and politics are combined in America as a corrupt form of crony ‘State Capitalism’. No conspiracy or theory is needed to explain the reality of how corporations function, it is notoriously blatant and commonly accepted as ‘just the way things are’; so without defining every popular economic term that Madoff and Greenspan advocated, I will try to high-light the problems that affect most of us and propose solutions.

“People Power!!!” – AMM (Appalachian Mountain Militia)

I do not expect people to take my word as total truth. I want average people to get interested in how our system works, by helping them to feel that they can make a difference simply by beginning to question the establishment in intelligent ways. I am not a professional economist, I am studying finance as a hobby. For this book I am able to put forth theories by other economists, scientists, and philosophers; by rewording or quoting them. There are millions of people that disagree with my opinions, and I will not include all the information that a basic or advanced economic book would; but I will do my best to interpret and phrase jargon with references as best I can.

I designed and published SCOD Thesis in 1999 to address alternative ways to live. I was mocked by some students and professors for wanting to build a ‘commune’. It was considered absurd to be interested in village design that was not able to be financed by rich clients or the government, for ‘profit’.

I accepted the responsibility that I was a radical rebel, and system out-cast in college when I began to learn more about adult subjects, and got a clearer impression how the business world worked. My experience as a college graduate trying to ‘earn a living’ by selling myself to anyone willing to pay me, was even more discouraging and depressing.

As a drafting assistant, design partner, professor of architecture, and architectural adviser I was so in debt that any money I made had to go directly to pay debt bills, and did not allow me to save for the basics of middle-class property and personal benefit expectations that were promised to come to everyone that played by the rules of the system (higher education = more income). I found those platitudes to be hollow, even for many like me who wanted to find a life-long career within ‘good’ firms. Well it was clear the world for practicing architects was changing from what it had been. I did work with my father for years, and as partners we completed many designs and built many projects; however we made very little profit.

My father and I were successful designers, but that success did not transfer financially. Part of the reason capitalism did not work for us, was that many clients were poor, and even the rich wanted to save money. My father out of the kindness of his heart and joy to serve others, and enthusiasm for his craft, would charge fees that may have gone further during the 1970s. Combine low pay with the rise in cost of living, inflation, and this is why my mother had to support our family by working commercial retail at Walmart and teaching at schools; both jobs luckily she enjoyed as best she could. I worked many other jobs besides architecture, sometimes 5 jobs a month, and always actively found back-up jobs and projects that kept me busy. Despite only having one family car and very few luxuries for middle-class, we saw our wealth diminish no matter how hard we worked, and no matter how many clients we had.

I lived within my means, on the budget of a lower-class individual, while striving to serve the public as a middle-class citizen educated by ‘higher institutions of education’. I did not ‘drop-out’ of the system, the system was not interested in using me for the purpose that my education, psychology, and skill-set allowed. I still continue to live in this way, which I feel is the best I can do with what I have available to me.

I do not say these things to complain that my family suffered more than lower-class people, or disabled people (who can easily be disenfranchised by society and the system). I am not comparing how we lived to how other classes live, the point of being honest about my middle-class family experience is to show why I believe that alternative economic systems are important. I have always been interested in the definition of economics, and silly questions like “why do we say ‘trade & barter’ if those terms are synonyms?”. My favorite question as a child was “what makes a unit of something worth anything?”; or more humorously “can we just start using bottle caps or shells as money?”. I still think those types of questions are good.

Professionals whose public speeches, books, and conversations I have studied include Dr. Dean Baker, Prof. Noam Chomsky, Prof. Mark Blyth, Prof. Michael Hudson, politicians Bernie Sanders, Jill Stein, Jeremy Corbyn, and many others.

Regardless I think it is always good to hear that other people suffer from a type of economic exchange we could call the ‘oops I should have asked for more” syndrome. So I will try to include a few of those stories too for you. Enjoy the most boring theories you never thought might affect you, and keep on keepin’ on.

If I understand some economists correctly, they are saying we are living in a period like the 1920s when all growth was in the stock market; it was considered ‘capital gain’ but was really ‘striping assets’; which resulted in the Stock Market Crash and Great Depression. No pressure people.

Jeremy Corbyn in the Labor (Labour) Party in England, makes Bernie Sanders look like a centrist about public policies.

“For the many, not the few.” – Corbyn Labour party platform

“Our challenge to a rigged system, is bound to meet hostility. Change always involves taking on vested interests. The stakes are very high.” – Jeremy Corbyn, British Labour Party 2017

Great experimentation with individual and social action must take place now! I have been writing and publishing essays on Teaching, Colleges, Jobs, and systemic economic problems and solutions. In 2017 I am producing a series of recordings and essays on ‘SCOD Economics’. This Economic series includes interviews and biographies across disciplines, and intends to address both present injustices and futurist hopes.

We will discuss injustice within our educational and political system, that adversely affects people with alternative thoughts or theories that are not accepted by the conventional establishment corporate ideology frame-work that contains and controls most of the World. We are given their propaganda that “we can all have any job we want, so long as we try hard and get good grades”. Our reality based on my experience is more like “most of us can have at least a minimum-wage job with few benefits, for a limited amount of time, without job security, pathetic interest for savings accounts, the job we find may be against our own interests, and those who cannot get good grades or are bad at following orders get nothing and will probably end up in jail or homeless”. Despite these problems which I have personally witnessed and experienced, the final goal of the series is to plan for a better more sustainable tomorrow for future generations; even if the series conclusions are largely ignored within our life-times. Historic record has some worth.

From the book – SCOD Economics: Alternative Economic Theories

Economics affects everyone, even those that do not want to be concerned with money or finances. This book is a summary of alternative economic commentaries that emphasize democratic ethics. The Sustainable Cooperative for Organic Development believes in valuing human lives as responsible environmental stewards for our biosphere called Earth, and seeks ways to allow for biodiversity in civilization as well as the ecosystem. We believe in less monopolies, less corporate crony politics, less corruption in government, and more ways to support various ways of life and provide future generations with the ability to provide for themselves. Please let’s work together to leave something for the children that is worth inheriting.

 – Drogo Empedocles

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