Archive for together

On Living & Working Together

Posted in Cooperatives / Communities / Networks / Travels, Philosophy, Psychology, Uncategorized with tags , , , , , , , , on September 13, 2016 by Drogo

Living and working together are similar, and sometimes combined. When part of most days are spent doing things with each-other, we should realize it is a partner relationship, and it is very important to evaluate functionality and success whether the goal is happiness or a project. You cannot really understand who people are, unless you have serious lengthy interactions; and if you cannot spend hours with each-other, pushing, pulling, and in silence, then just realize you do not really know them well enough for major partnership decisions. Even when you have lived with another, which is even harder than long distance, there are things about them which will not make sense to you. It is only through meditation on the shared living experiences and communications, comparing and contrasting ideas and results, words and actions, good and bad feelings, can we have a real basis for knowing if who they are works with who you are sustainably enough to live happily together. This is not to say that anyone is perfectly good to themselves or others all the time, but we can only know relative to our own experiences and wisdom. Desire to do something with partners cannot be so selfish it excludes them; we succeed or fail together with group projects.

Facebook has made it clear to me, that text messages (no matter how personal), are not a true substitute for the kind of testing that must be done in person eventually. However, the less challenging your communication is, the less prepared you will be to handle each-other when the hardest tests come. The best indicator that you cannot work together, is if both people harbor more resentment than love consistently. The best indicator that you can live and work together successfully, is if the partners harbor more joy and love, than bitterness consistently. Some people have problems expressing certain emotions, so that should be taken into account, however it will impair communication. If you cannot tell how satisfied a person can be or is, it can cause confusion; same for bipolar mood shifts. This is why natural psychological medication, like moderate doses of organic cannabis, are so important for many people to find balance during stressful times or for severe personality disorders.

Collage Break-Beat Drumming

Posted in Arts (Design & Performance), Organic Development, POB Audio with tags , , , , , , , , , , , , , , , , , , , , , , on November 18, 2013 by Drogo

CBB Drumming:  Modern Progressive Break-beat Fragment Collages, Jazz Wobbles, and Tempo Shifting

Conventional drummers, and even standard break-beat artists, will often use only one tempo for the main percussion sections in a song. Break-beat tends to ‘take breaks’ from the beat, for ambient sections, but it usually keeps to ‘breaks’ (broken fragments) within a zig-zag 4/4 rhythm. However a progressive break-beat drummer can progress through various rhythms by using wobbles, bridges, blasts, fills, fades, and dead breaks.

Traditionally only the best or most arrogant drummers could ever claim to ‘perfectly’ keep a steady tempo or beat rhythm all the time. Even today most human drummers will have subtle variations or wobbles in their rhythms, as compared to a more constant metronome or digital beat machine (such as a computer). Variations in beat happen even when humans use mechanical devices to aid their timing. This is due to deviations in mental evaluation, audio perception, and physical dexterity.

Once we understand that even the best human drummers are not going to be ‘on beat’ perfectly all the time; we can begin to have patience for an emerging musical movement that embraces our ability to change, and even accepts our fallibility. Traditional and conventional drummers and people conditioned to hear their repetitious rules, call tempo shifting or playing off beats “bad drumming” or “annoying”; since progressive break-beat is not limited by tempo dogma.

Progressive Break-beat is like an audio Jeet-Kun-Do. As Bruce Lee said “Do not concentrate on the finger… be like water, be formless… do not believe in styles, styles separate man, it is a process of continuing growth.” Just as we should practice martial arts that fit our own bodies and minds, we should practice music that best fits our own bodies and minds.

There are different types of personalities, that will practice in different ways; to be able to play together we must first understand this. Once we understand our differences, we can adapt our forms and patterns, to have a conversation or relationship with the others that are at first impossible or annoying. Any type of music may be annoying to anyone at any time, although certainly the most annoying sounds are ones that seem to have aggressive conflict or discordant tones or beats. To a mind wanting to experience those issues, the music is not annoying, but rather used for venting self-expression as cathartic therapy.

So the premise of CBB (Collage Break-beat Theory), is that a progressive break-beat drummer can progress through various rhythms by using wobbles, bridges, blasts, fills, fades, and dead breaks. This is possible to achieve even while playing with conventional drummers, if they are patient enough to keep playing their own style, or adapt to the breaks. There are many tool techniques to make a CBB song, which pastes together audio and forms how the collage pieces fit together.

A wobble can be a beat bounced (shaken or wiggled) around like a ball, as well as a bass tone stretched and shifting pitch (oscillating bass). In drum circles this wobble sound can be made with a drum or didgeridoo, horn, or voice. Even a whistle or drum blast can be used as a transition signal.

A musical bridge is a piece of transition music played to patch together sections of a song. The bridge can be an interlude solo, or it can be a combination of the sounds before and after it. Fills, noodles, and grace-notes can be used to make use of discord or mistakes.

Fades and dead-breaks are the easiest ways to cut into a new beat.

If someone cannot play with you, they can chill until they find a way into the jam. Jam sessions (like free-form drum circles) are all about taking turns, trying to harmonize, and negotiating differences in styles to be able to play together. A generous expert player will play to the least level, to invite others to play at least for bit.  Ok, play on!

Walton Drum