Archive for art

Trumpian Economic Report 2020

Posted in Book Reports, Cartoon Comics, Commercial Corporations, Cooperative collaboration, Crafts, Critical Commentary of Civilization, jobs, Legal / Laws, Multimedia Communication, news, Organic Development, portraits, relationships, Services, Sales or Trade, Society Clubs or Social Groups, Sustainability, Uncategorized with tags , , , , , , , , , , , on December 31, 2019 by Drogo

Artisan Vs. Commercial Market Selling

By Drogo Empedocles – January 2020

In a Trumpian economy most of us are forced to be beggars even when we offer work in return for money, due to an excess of labor not needed or desired by the rich. Trickle-down Reaganomics has failed us, and is still being pushed on us by Trump and all corporate politicians who sold out. We must resist falling to the attacks causing the destruction of our lives and plan to not just survive but rebuild a better world for our children.

Trump’s tax plan benefits the rich, and diminishes the middle class. The estate tax is gone now so that rich children can inherit all their parent’s wealth freely without earning it, while poor children suffer without deserving it. Personal exemptions have been removed. You can still itemize donations, but the standard deduction bar was raised with an overall .5% tax rate reduction. Those basic changes might negligibly benefit lower incomes, but average to upper middle class households are losing thousands on whole due to other changes in the tax plan.

I lost some financial support despite my working through the holidays on several projects. I won’t be able to do as much free or low-budget work with others, until i can secure more income to cover my own expenses at least. my income is only $700 a year recently, so i feel like i get by with quite a little actually. I only currently use one sound program most weeks, and focus on word (writing) programs, which have glitches between formats, but i am able to publish that way. So for over a year i have only been using two editing programs.

Most people should know that any work has a price; and so my work is for sale, as with any artist; we need means to live so we try to sell prints and originals if we can. If people do not know how to want to share money with others, i am not sure how i can help them except to remind them by bringing it up sometimes. I focus on my work more than sales, because i do it for the work not the sales. If i am asked to be more of a sales person i would not do it. i dont know if stating that i will keep doing my own work the way i want no matter what will reduce interest in investing in me or increase it long term; but i really do not see many options to sustain my career legacy. I may get some temporary side jobs like working for Census, but even if i got a huge increase in income what matters to me is what is created with what i have ultimately.

SCOD social capital has increased overall i believe, which is hard to define since it is not income based. I am close to founding a tristate network for hosting art, music, and writing events; but the design is mostly socially dependent, using properties in WV, MD, and VA. The financial components like ticket sales and payments are totally based on how many people i can get to coordinate together. we currently have several proposals still being formed, for multimedia broadcasting and sharing local events, i can pursue these negotiations without financial losses. ive felt on the verge of something big over the years, but i never know when the tipping point will come because … and this is the hard part to talk about, the complex dynamics of partnerships.

I am proud to ‘beg’ with something of quality to offer in return. When you buy my work, you support many other people; because I collaborate with and buy from other artists and friends. To anyone that thinks I am begging by being honest that I do not earn much, I argue that bragging about how good your work is and saying you have been ‘financially successful’ by taking more than you need is worse than begging because to me that could be considered just as unworthy of support. Getting money from other people is not proof of deserving money, it is simply how people pay their bills. Also I am not just begging because I offer plenty of services and products in various fields. I am simply saying why I could use more income, as opposed to those who do not need more for basic living. I have many jobs, and i do them. I tend to give things away for free and make reasonable deals to work with lower income people.  I apply to better paying jobs, but I do not get them, and when i have had them before i cannot keep them for psychological reasons, one being i cannot stand authoritarian control because i desire to fight back against bosses the same as I would with any willful cruel or ignorant jackass; but when we trade self-respect for money we suppress our resentment which can fester and build to a break-down or illness.

I will not spend time defending myself by arguing against assholes, they are not worth my time. I am too expensive for them because they cannot pay me enough to work for them, and it is easy enough to block them and delete their petty comments. Their attempts to troll me are pathetic when i can shut them down easily. It is amazing that people will ‘friend’ me only to wait for chances to attack, without ever once being kind.  These are the type of people that would tell homeless street musicians to “get a job” too.

If fees are low enough with time i can advertise more without major losses on more websites; in hopes to get at least a few sales. Social reception is usually less than enthusiastic on a whole from audiences on platforms. Amazon is the best example ive had because ive been using it for years, i struggle to get a few sales a year even when i post the links and talk about them etc. I know it is not because my books are not as good as ‘Diary of a Whimpy Kid’ or ‘Captain Underpants’ which are best sellers, it has to do with commercial control of the market at the high levels. I mean sure we could argue whose art or story sucks more, but with enough exposure anti-authoritarian subversive books like ours do well with children and ne’er-do-wellz, which are a large portion of the population.

Ironically most of the people who buy my books are part of the vanishing middle class; not the lowest or the highest earning. There are more lower middle class people so they do buy more books, compared to the few upper middle class people who are interested in my books. I have had people with large incomes talk with me for hours, and i gave them books and they still did not buy any, so spending money has more to do with personalities than wealth; which is why those with less wealth will spend more if they have an income, which creates financial flow and opportunities in an economy.

All of these opinions of observations are reasons why many of us are not satisfied with status-quo commercial politics. We want more leaders like Bernie Sanders and progressives on the right or left who can be held to account by their voters who are also the majority of their campaign financing. We cannot afford allowing corporate sell-outs to further rig our own economy, environment, and country against us.

[ see also Lucas Chancel, World Inequality Lab ]

 

How to Price Art

Posted in Arts (Design & Performance), Crafts, Illustration, Uncategorized with tags , , , , , , , , , on August 31, 2019 by Drogo

SCOD List of factors for pricing Art:

1.   Market previously for similar items or services

2.   Social associations of symbols

3.   Artist’s feelings about the art

4.   Relationship between artist and customer

5.   Customer’s feelings about the art

6.   Quality of craft technique

7.   Quantity of materials

8.   Hours invested

9.   Demand currently

10.  Design spirit (alien influence?)

The best thing about art, is that it needs no justification. If someone asks you why you priced it the way you did, you can simply say “ALIENS” and leave it at that. Most subjects and work that we do can be considered in terms of ‘science’ and ‘art’; the artificial value of any product or service (or anything) is subjective.

 

 

 

 

 

 

Snobs Cry “Don’t Punish Success”

Posted in Commercial Corporations, Critical Commentary of Civilization, Ethics & Morals, Matras Quotes Tips, Music Reviews, news, Politics, Uncategorized with tags , , , , , , , , , , , , on July 29, 2019 by Drogo

I have heard the cries of the successfully wealthy and powerful, “Do not punish success.”; from the brilliant actor that satirizes Trump (Alec Baldwin), to the angry metal band that cut off their long hair in the name of maturity (Metallica). As a fan of both Baldwin and Metallica, I appreciate their artistic mastery of craft, and believe that if any one earned the right to be rich by working hard I am sure that they did; however to not understand that the very art that they did was often anti-authoritarian is mystifying to me. Perhaps fame blinds many to hypocrisy, as their same angry fighting spirit that got them there, wants to cling on to “what is rightfully, not wrongfully, theirs”? 

 

When I listen to Metallica’s music, and then i hear them speak about how they do not understand ‘this new desire to rebel against authority’, i wonder how out of touch they have to be to not have learned more wisdom from their own lyrics…. “Master of Puppets is pulling your strings”. To be fair to Metallica, I first heard the cries for mercy from the lead singer of Kiss in his auto-biography; as though it were so much easier to become rich back then, and luck has nothing to do with opportunities or hard work. Talent speaks for itself, and being successful at your craft means being able to sustain yourself enough to do it. Any wealth, power, and fame that comes with successful talent is just layers of responsibility that they can accept, but must let go of eventually, even if it has to be pried from their cold skeleton hands in the grave by robbers. If an archeologist preserves their remains clinging to their assets, ok fine.

 

Money and popularity makes people into gods, so if their worshipers are jealous there is really not much law abiding citizens can do. The gods can proclaim that jealousy should be punished, but not greed; and have their will carried out in the halls of justice, in favor of divine corporations over individuals. ‘Might is right, and weakness is wrong’; did this problem of human existence eat away at Nietzsche’s mind as his body gave way to illness? Ethics may be for the weak, but Jesus did promise that the meek shall inherit the earth. Promises, promises. I see no evidence that the rich are being punished more than average people. In reality evil seems to win by brutalizing those who cannot control them, even while their corruption pollutes the planet.

 

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Arts & Literature Seasonal Gathering

Posted in Education / Schools, Events / Celebrations, Individuals / Members / Monsters / Creative Writing, jobs, news, Services, Sales or Trade, Society Clubs or Social Groups, Uncategorized with tags , , , , , , , , , , , , , , on October 9, 2018 by Drogo

Day, Month, Year, Time – Arts & Literature Seasonal Gathering – You are invited to the Victorian Townhouse of the Honorable S.P. (near Market Street) __ Third Street, downtown Frederick, MD; to read anything of your choice for apx.10 minutes, and our informal group will discuss for about the same time as the reading. Tea will be served.

Democratic voting on name of group, which selections to read, whether to record, and date of next meeting.

[for actual current details contact SCOD members]

RIP Artist Thor Carlson

Posted in Arts (Design & Performance), Memorials / Obituaries / Epitaphs, Recommendations & Tributes, Uncategorized with tags , , , , , , , , on July 11, 2018 by Drogo

E. Thor Carlson was from Massachusetts and New Hampshire, of Finnish descent. Thor Carlson was best known for his Oil Paintings and Woven Tapestries, but he was also a WW2 veteran. [1925-2013]

“At Yale studied with Eugene Savage, Louis York, Dean Keller, and Sante Graziani. Before graduation, he was awarded a Fulbright Fellowship for a year’s study at the Academia in Florence to study fresco painting. Returning to Yale, he completed his fifth and final year, studying with Josef Albers and Willem DeKooning. He graduated ‘In Primi Honoris’ with a BFA in painting (1951). After graduation he went to New York City, working first as a Junior Art Director at the advertising firm of McCann-Erickson and, later, on advise from well known muralist, Allyn Cox, as a free-lance mural painter. He became a member of the National Society of Mural Painters (1956) after painting a mural in the Waldorf-Astoria for Conrad N. Hilton. In 1986, he moved to Charlestown, New Hampshire. During the summer of 1987, he was a “Visiting Artist” at Saint Gaudens National Park in Cornish. Tapestry weaving has occupied much of the artist’s work during the past thirty-four years. His grandmother taught him Scandinavian methods for tapestry. Many of his tapestries have won prizes. His tapestry, “Peaceweaver’s Web”, on exhibit at the Entler Hotel Gallery, Shepherdstown, West Virginia, was viewed by President Bill Clinton during the Israeli-Syrian Peace Conference in January 2000.” – from his website

“Thor visited with my family, and we visited with him for many days over many years from the 1980s to 1990s and a few times after 2000 before my father died in 2009. I mailed him back some of his paintings which were in our gallery but we did not own. We sold some of the pieces we owned, but still have others. He shared with me many personal insights into his art and his writing, and was always kind and gentle. I almost studied oil painting with him, but instead discussed descriptive narrative with him regarding our related thesis work about ‘dwelling’. I was greatly influenced by his style, from having his paintings in our house on display all my life. My favorite times spent with him were reflective at Lake Sunapee, in his house, and at Saint Gaudens. It was my father that got his work displayed at the Entler, and got Clinton in to see the exhibit by running into the street and waving his hands in front of the motorcade. Clinton remembered my father as Mayor of Harpers Ferry during the Earth Day events previously, so he agreed to check out Thor’s Peace Tapestry.”  – Walton Stowell II

Peace Tapestry 01

Architect Antoni Gaudí

Posted in Crafts, Historic Architecture, Sculpture, Uncategorized with tags , , , , , , , , on May 29, 2018 by Drogo

Antoni Gaudí cathedral

Antoni Gaudí (1852-1926) was a Spanish Catalan artistic architect of the Modernista movement. Most of Gaudi’s work is located in Barcelona Spain. Gaudi studied skeletal anatomy, color theory, Art Nouveau, and sculptural arts to inform his architectural designs. His architecture integrated trade-crafts like ceramics, stained glass, wrought iron, masonry, and carpentry. Gaudi’s ‘trencadís’ technique used scrap ceramic pieces in organic mosaic forms. Gaudí preferred building scale models, rather than drafting drawings. Gaudí’s masterpiece, the still-incomplete Sagrada Família Cathedral, is said by Wikipedia to be the most-visited monument in Spain. Seven of his works are World Heritage Sites by UNESCO.

*photos belong to whoever they belong to, thanks for taking them whoever did!

Antoni Gaudí CasaBatllo

OLYMPUS DIGITAL CAMERA

Antoni Gaudí maxres

Antoni Gaudí detail

 

 

 

 

Sexism vs Feminism: as a male artist

Posted in Arts (Design & Performance), Pagan, Psychology, Uncategorized with tags , , , , , , , , , , , , , on October 18, 2017 by Drogo

About portraits of women as a male artist: Do all women have to be drawn by women, or only prudishly by men? Perhaps some feel in a Patriarchal society, men should be artistically castrated. When I am angry at men or myself, I do feel that severe hatred against abuse. If women do not think any man should be called a Feminist, they do not have to call me that, regardless of my intense desire to respect and love the symbol of divine feminine (goddess concept) which is in touch with humanity (the relation between our best qualities possible in reality, and the ideal mental world). Sometimes the difference between sexist exploitation and respect to a heroine in portraits is mood, attitude, and personality; and how much those are portrayed to the observer (beyond blatant abuse of a model). If the model conveys they are wanting to share their look with others, guarded or proud, warning or invitation, regardless of the photographer or artist, i think it speaks more about the model or the character of the subject as it should, since they are not meant to represent an object in the art, but a realistic living being with some kind of spirit. i think not all idols are false, if a person looks up to a hero as a subject of study and reflection. The humanity of a subject and how the observer feels about that, is where i like the activity to be. If i can get the observer to feel they have a relation to the subject, regardless of the artist, i feel successful. the power of emotion being with the subject actor, not the camera-man artist who best represents an observer. If an observer feels uncomfortable as an abuser or a victim of the subject, rather than as a more objective neutral non-judgmental observer, then it is no longer a show about observing, but participating like a theater in the round where the audience can get involved in the play, which is not predictable or safe, and can easily be condemned resulting from personal feelings from people who now feel a real involvement and responsibility to judge fellow participants in the act of art. i personally like to draw all shapes of people, some models do happen to be skinny, but i prefer to represent “normal sizes” which are realistically common, and work with people comfortable acting a role or presenting themselves how they want. Sometimes art involves normal traits and sometimes abnormal traits. . Large or small to me depends on the model, when using a model for who they are as a person, i like realism in proportion for serious pieces. For me the self-esteem of a model who I view as a friend is critical. If the observer views all sexuality as perversion, they will not like my observations of nature, and I must accept that is the view of many people who think women should be wrapped up and hidden from view, only men can be topless, or that all public nudity is sin (conservative society). Thank you for listening, enjoy art for art’s sake as much as possible, regardless of the human flaws of an artist that may or may-not be self aware of intentions and how those intentions relate to popular culture or social manners.