Archive for art

Snobs Cry “Don’t Punish Success”

Posted in Commercial Corporations, Critical Commentary of Civilization, Ethics & Morals, Matras Quotes Tips, Music Reviews, news, Politics, Uncategorized with tags , , , , , , , , , , , , on July 29, 2019 by Drogo

I have heard the cries of the successfully wealthy and powerful, “Do not punish success.”; from the brilliant actor that satirizes Trump (Alec Baldwin), to the angry metal band that cut off their long hair in the name of maturity (Metallica). As a fan of both Baldwin and Metallica, I appreciate their artistic mastery of craft, and believe that if any one earned the right to be rich by working hard I am sure that they did; however to not understand that the very art that they did was often anti-authoritarian is mystifying to me. Perhaps fame blinds many to hypocrisy, as their same angry fighting spirit that got them there, wants to cling on to “what is rightfully, not wrongfully, theirs”? 

 

When I listen to Metallica’s music, and then i hear them speak about how they do not understand ‘this new desire to rebel against authority’, i wonder how out of touch they have to be to not have learned more wisdom from their own lyrics…. “Master of Puppets is pulling your strings”. To be fair to Metallica, I first heard the cries for mercy from the lead singer of Kiss in his auto-biography; as though it were so much easier to become rich back then, and luck has nothing to do with opportunities or hard work. Talent speaks for itself, and being successful at your craft means being able to sustain yourself enough to do it. Any wealth, power, and fame that comes with successful talent is just layers of responsibility that they can accept, but must let go of eventually, even if it has to be pried from their cold skeleton hands in the grave by robbers. If an archeologist preserves their remains clinging to their assets, ok fine.

 

Money and popularity makes people into gods, so if their worshipers are jealous there is really not much law abiding citizens can do. The gods can proclaim that jealousy should be punished, but not greed; and have their will carried out in the halls of justice, in favor of divine corporations over individuals. ‘Might is right, and weakness is wrong’; did this problem of human existence eat away at Nietzsche’s mind as his body gave way to illness? Ethics may be for the weak, but Jesus did promise that the meek shall inherit the earth. Promises, promises. I see no evidence that the rich are being punished more than average people. In reality evil seems to win by brutalizing those who cannot control them, even while their corruption pollutes the planet.

 

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Arts & Literature Seasonal Gathering

Posted in Education / Schools, Events / Celebrations, Individuals / Members / Monsters / Creative Writing, jobs, news, Services, Sales or Trade, Society Clubs or Social Groups, Uncategorized with tags , , , , , , , , , , , , , , on October 9, 2018 by Drogo

Day, Month, Year, Time – Arts & Literature Seasonal Gathering – You are invited to the Victorian Townhouse of the Honorable S.P. (near Market Street) __ Third Street, downtown Frederick, MD; to read anything of your choice for apx.10 minutes, and our informal group will discuss for about the same time as the reading. Tea will be served.

Democratic voting on name of group, which selections to read, whether to record, and date of next meeting.

[for actual current details contact SCOD members]

RIP Artist Thor Carlson

Posted in Arts (Design & Performance), Memorials / Obituaries / Epitaphs, Recommendations & Tributes, Uncategorized with tags , , , , , , , , on July 11, 2018 by Drogo

E. Thor Carlson was from Massachusetts and New Hampshire, of Finnish descent. Thor Carlson was best known for his Oil Paintings and Woven Tapestries, but he was also a WW2 veteran. [1925-2013]

“At Yale studied with Eugene Savage, Louis York, Dean Keller, and Sante Graziani. Before graduation, he was awarded a Fulbright Fellowship for a year’s study at the Academia in Florence to study fresco painting. Returning to Yale, he completed his fifth and final year, studying with Josef Albers and Willem DeKooning. He graduated ‘In Primi Honoris’ with a BFA in painting (1951). After graduation he went to New York City, working first as a Junior Art Director at the advertising firm of McCann-Erickson and, later, on advise from well known muralist, Allyn Cox, as a free-lance mural painter. He became a member of the National Society of Mural Painters (1956) after painting a mural in the Waldorf-Astoria for Conrad N. Hilton. In 1986, he moved to Charlestown, New Hampshire. During the summer of 1987, he was a “Visiting Artist” at Saint Gaudens National Park in Cornish. Tapestry weaving has occupied much of the artist’s work during the past thirty-four years. His grandmother taught him Scandinavian methods for tapestry. Many of his tapestries have won prizes. His tapestry, “Peaceweaver’s Web”, on exhibit at the Entler Hotel Gallery, Shepherdstown, West Virginia, was viewed by President Bill Clinton during the Israeli-Syrian Peace Conference in January 2000.” – from his website

“Thor visited with my family, and we visited with him for many days over many years from the 1980s to 1990s and a few times after 2000 before my father died in 2009. I mailed him back some of his paintings which were in our gallery but we did not own. We sold some of the pieces we owned, but still have others. He shared with me many personal insights into his art and his writing, and was always kind and gentle. I almost studied oil painting with him, but instead discussed descriptive narrative with him regarding our related thesis work about ‘dwelling’. I was greatly influenced by his style, from having his paintings in our house on display all my life. My favorite times spent with him were reflective at Lake Sunapee, in his house, and at Saint Gaudens. It was my father that got his work displayed at the Entler, and got Clinton in to see the exhibit by running into the street and waving his hands in front of the motorcade. Clinton remembered my father as Mayor of Harpers Ferry during the Earth Day events previously, so he agreed to check out Thor’s Peace Tapestry.”  – Walton Stowell II

Peace Tapestry 01

Architect Antoni Gaudí

Posted in Crafts, Historic Architecture, Sculpture, Uncategorized with tags , , , , , , , , on May 29, 2018 by Drogo

Antoni Gaudí cathedral

Antoni Gaudí (1852-1926) was a Spanish Catalan artistic architect of the Modernista movement. Most of Gaudi’s work is located in Barcelona Spain. Gaudi studied skeletal anatomy, color theory, Art Nouveau, and sculptural arts to inform his architectural designs. His architecture integrated trade-crafts like ceramics, stained glass, wrought iron, masonry, and carpentry. Gaudi’s ‘trencadís’ technique used scrap ceramic pieces in organic mosaic forms. Gaudí preferred building scale models, rather than drafting drawings. Gaudí’s masterpiece, the still-incomplete Sagrada Família Cathedral, is said by Wikipedia to be the most-visited monument in Spain. Seven of his works are World Heritage Sites by UNESCO.

*photos belong to whoever they belong to, thanks for taking them whoever did!

Antoni Gaudí CasaBatllo

OLYMPUS DIGITAL CAMERA

Antoni Gaudí maxres

Antoni Gaudí detail

 

 

 

 

Sexism vs Feminism: as a male artist

Posted in Arts (Design & Performance), Pagan, Psychology, Uncategorized with tags , , , , , , , , , , , , , on October 18, 2017 by Drogo

About portraits of women as a male artist: Do all women have to be drawn by women, or only prudishly by men? Perhaps some feel in a Patriarchal society, men should be artistically castrated. When I am angry at men or myself, I do feel that severe hatred against abuse. If women do not think any man should be called a Feminist, they do not have to call me that, regardless of my intense desire to respect and love the symbol of divine feminine (goddess concept) which is in touch with humanity (the relation between our best qualities possible in reality, and the ideal mental world). Sometimes the difference between sexist exploitation and respect to a heroine in portraits is mood, attitude, and personality; and how much those are portrayed to the observer (beyond blatant abuse of a model). If the model conveys they are wanting to share their look with others, guarded or proud, warning or invitation, regardless of the photographer or artist, i think it speaks more about the model or the character of the subject as it should, since they are not meant to represent an object in the art, but a realistic living being with some kind of spirit. i think not all idols are false, if a person looks up to a hero as a subject of study and reflection. The humanity of a subject and how the observer feels about that, is where i like the activity to be. If i can get the observer to feel they have a relation to the subject, regardless of the artist, i feel successful. the power of emotion being with the subject actor, not the camera-man artist who best represents an observer. If an observer feels uncomfortable as an abuser or a victim of the subject, rather than as a more objective neutral non-judgmental observer, then it is no longer a show about observing, but participating like a theater in the round where the audience can get involved in the play, which is not predictable or safe, and can easily be condemned resulting from personal feelings from people who now feel a real involvement and responsibility to judge fellow participants in the act of art. i personally like to draw all shapes of people, some models do happen to be skinny, but i prefer to represent “normal sizes” which are realistically common, and work with people comfortable acting a role or presenting themselves how they want. Sometimes art involves normal traits and sometimes abnormal traits. . Large or small to me depends on the model, when using a model for who they are as a person, i like realism in proportion for serious pieces. For me the self-esteem of a model who I view as a friend is critical. If the observer views all sexuality as perversion, they will not like my observations of nature, and I must accept that is the view of many people who think women should be wrapped up and hidden from view, only men can be topless, or that all public nudity is sin (conservative society). Thank you for listening, enjoy art for art’s sake as much as possible, regardless of the human flaws of an artist that may or may-not be self aware of intentions and how those intentions relate to popular culture or social manners.

Appearance & Reality in Art

Posted in Arts (Design & Performance), Music Reviews, Philosophy, Uncategorized with tags , , , , , , on September 11, 2017 by Drogo

The best media that expresses the theme of appearance and reality, is the wide wonderful world of Art! One can assume that there are four sub-divisions of our sensorial existence in reality: visual reality, physical reality, olfactory reality, and audio reality; which are all dependent on each-other, and inter-connected with individual and group mental realities. There are also appearances of all our senses. A fifth sense could be considered to be our metaphysical imagination (spirit mind). Through drawing and painting visual arts, one experiences visual appearances and then mental appearance. Mental neocortical impressions of fantasy or reality, can be perceived in various combinations. That appearance can be taken to be the reality of what the art represents, until a later meditational analysis of our brains produces a different interpretation of our visual and mental reality, that we believe about the work of art; including what the art actually is, what it represents, and what it means to us or others.

For example, Pieter Bruegel the Elder based his detailed drawing work upon realistic observations, to represent figures and landscapes; however like Bosch, his art combines very surreal and fantastic aspects to what we can identify as figures and landscapes. Mental reality sinks in later, that his art cleverly pokes fun at the Christian Catholic Church. In fact, Bruegel ordered his wife to burn certain drawings because he thought they were “too biting and sharp”. Bruegel’s reality was hidden within the action, setting, and characters of his art works; because he was reluctant to openly admit his surreptitious views on the evils of society.

Bruegel earned his living producing drawings to be turned into prints for the leading print publisher Hieronymus Cock. His great successes were a series of allegories, which adopted many obsequious style mannerisms of his predecessor Hieronymus Bosch. In Bruegel’s works his sinners are grotesque, while the allegories of virtue wear odd head-gear. Imitations of Bosch sold well, like ‘Big Fish Eat Little Fish’ (Albertina), which Bruegel signed but Cock falsely attributed to Bosch in the print version.

Another example of a famous surreal artist is M.C. Escher. Maurits Cornelis Escher was brilliant for drawing impossible shapes, that appear to be possible 3-D objects at first due to his skillful rendering, but then reveal aspects of themselves to be mathematical line trickery upon further examination. Escher’s realism has 4 basic levels: structure, content, contour, and event integration. Structures in a drawing means 2-D surfaces are rendered with 3-D appearance, creating illusions of forms and spaces. Link structure with content phenomena, and form texture contours. Lastly, characters interact and integrate with setting events in a pluralistic world concept with recognizable motifs.

Salvador Dali is still the epitome of a modern surreal artist, even years after his death. Like other surreal artists, Dali leads the viewer’s mind through a maze, and then a sieve. Often his work is presented as being real in appearance, but in actuality is a painting, or photo, or film of dream-like illusions that are disturbing on a sub-conscious level. Dali creates appearance of fantasy, but the deeper Jungian subjective meanings are disturbingly hidden from casual glance.

Appearance and reality in music is strange to talk about, as we do not usually refer to sounding ‘realistic’, as we do with art appearing ‘realistic’. When music sounds real, we mean it sounds like a live orchestra or a real instrument, rather than an electronic synthesizer or recording. However music does create dramatic mental illusions with sound. Composers like Wagner, Mascagni, and Carl Orff were masters of telling audio stories to our hearing senses. Various musical instruments or voices can summon angry gods, peaceful landscapes, bold shining knights, beautiful flowers, and other associative feelings.

In poetry each verse gives an appearance to the reader or listener, and the reality derived is subjective. John Greenleaf Whittier’s poem ‘Snow Bound’ descriptively portrays New England life and structures during snow days. One can almost feel the cold of the snow, yet is kept warm by the brilliance of the writer’s passionate imagination. Lord Byron makes clear the emotions in many of his poems, creating ideal or realistic images within the reader’s head. Poets manipulate emotions with words, to engage the audience.

 

  •  [ from SCOD Thesis Philosophy Theories ]

ART & Literature DRAMA

Posted in Arts (Design & Performance), Philosophy, Psychology, Uncategorized with tags , , , , , , on March 16, 2017 by Drogo

Writing is connected to acting. the line between fact and fiction and life, in books, and in performances it gets blurry. drama shows us our mental relationship with reality. music, art, and drama evoke feelings that can be very conflicting; because it evokes the psychological issues we have, whereby the human mental neo-cortical process judges ourselves and everything else based on perceptions of senses and emotions. audiences are crying out to have the freedom to pass through the veil and explore between the worlds of art & reality. Most people are confined to a life where they are told acting is not authentic, art is not real, and so they rarely dare to go outside the confines of slave-wage jobs that pay the bills. The art of acting remains a mirror world to them, that they don’t view as participatory; because they see it as an illusion to criticize. obsessive fans are right up against the mirror, touching the surface. The best artists are actors that reach through the mirror from the other side, and pull in those that want to cross the line.

This is what Democritus and Shakespeare wrote about concerning Life, the World, and Theater. Even Marlon Brando agrees, in life there are many roles we all play, acts we put on for jobs, and ways we act. One of the most fun conclusions that we are all actors in our own lives, is the realization that our clothing and uniforms are costumes.