Archive for books

Arts & Literature Seasonal Gathering

Posted in Education / Schools, Events / Celebrations, Individuals / Members / Monsters / Creative Writing, jobs, news, Services, Sales or Trade, Society Clubs or Social Groups, Uncategorized with tags , , , , , , , , , , , , , , on October 9, 2018 by Drogo

Day, Month, Year, Time – Arts & Literature Seasonal Gathering – You are invited to the Victorian Townhouse of the Honorable S.P. (near Market Street) __ Third Street, downtown Frederick, MD; to read anything of your choice for apx.10 minutes, and our informal group will discuss for about the same time as the reading. Tea will be served.

Democratic voting on name of group, which selections to read, whether to record, and date of next meeting.

[for actual current details contact SCOD members]

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Self-Publishing Paradox

Posted in Book Reports, Commercial Corporations, Crafts, Critical Commentary of Civilization, jobs, Languages, Pub Library, Services, Sales or Trade, Uncategorized with tags , , , , , , , , , , , , on September 27, 2018 by Drogo

How DC area book stores handle major publishers vs. local authors in 2018.

Book stores are still stuck in the old mentality with major publishers, rather than allow the flooded local markets to flourish with support. Retail profits largely hinge on perceived ‘popularity’ of brands, which is largely self-perpetuating based on reduced whole sale rates, and exaggerated sales advertising to push the merchandise on customers. Book mongers still have a very snobbish attitude towards local authors, even more so now that printed books are in competition with ebooks. Book mongers, like other capitalists will often declare that “there is a DEMAND’ for what they are selling, just as housing developers do when they create a artificial demand by making the supply and cornering the market with advertising and debt based commercial production.

Here is how one book store describes their consignment process on their website:

“Our consignment program helps us accommodate the overwhelming number of requests from local authors who wish to sell their books and host events at Curious Iguana. If, after reading all the information here, you have any questions, email. Please do not stop by or call the store with questions about our consignment program. Click here to download our Consignment Policies and Consignment Form for Author. Note that we do not read review copies, and we do not accept any books without a completed consignment form and FEE. About events – We receive numerous event requests from local authors every week. Only authors whose books have strong consignment sales and broad reader appeal will be considered for an event on a case-by-case basis. Authors should not expect that consigning books will result in an event.”

Consignment usually forces the local author to be in debt to the local store, rather than provide them with any net income. Local authors tend to purchase more books at stores from commercial authors in one visit, than their books may sell all year; so even local authors are more likely to spend more on international authors than their own book sales will make in years. After a few years of their books not being advertised, but often hidden, the author must then contact the store and ask what has sold, and then pick up their check if any have sold. Now that there are more local authors, they are even asked to pick up their remaining books to make room for others. In essence local authors are treated like cattle, and told they are not worthy to make money, and they should be lucky to have a consignment deal before getting kicked out. Quality differences in the contents of books, whether self published or not, have very little to do with these market issues; as mistakes can be found with many mass produced products. Even National Geographic published the wrong image of a sparrow in a major commercial release; not just typos but the very information that is the focus of the ‘best selling’ book can be factually wrong.

Perhaps some day there will be a book store just for local and self-published authors, and their books will be PURCHASED just like the major brand names are now, rather than relegated to forgotten shelves and treated as though they are not worth the paper they are printed on. Perhaps some day we will invest more in our local economies, rather than giving all profits to a few rich fat cats that could barely care less.

So in this area there are basically 2 stores that accept local authors, but due to demands by local authors that they have a place to sell their books, it is increasingly rare that the small portion of the store dedicated to local authors will have room for everyone in the flooded self-published book market. It seems that self-published is a niche market that is not being allowed space due to corporate monopolist priorities. The competitive cut-throat capitalist monopoly model of economics, stands in contrast to the sharing and networking pluralist (multiplicity) more free-market model. Some business workers pride themselves for being very morally patient with customers, clients, bosses, employees, co-workers, and partners; in that they value them as fellow humans and are very generous to the point of pleasantly accepting financial loss as sacrifice for more happiness. That moral model is considered a bad business model for serious capitalists however, because survival success of business is based on financial capital, not ethical capital. There is a strong historic argument to be made that more financial wealth can be made quicker and greater by meaner people that take huge risks, rather than generous people who tend to give away and share more (studies show these people are often considered ‘poor’).

Self-published authors can be economically vital, if local stores open to showcase them as the main product. Some regional examples may soon show that people will travel from around the world to visit unique collections that support populations directly with financing. Rather than stores asking you pay to maybe keep your book there temporarily, and refusing to talk to authors in person or on the phone about the issue of slavish consignment; an alternative option will be to support stores that support self-published authors, which would make independent authors the best meaning (and most fitting use) of the word ‘common’. Possibly current store owners don’t want to be harming the local economy by practicing their old business models, but supply and demand and advertising have very real aspects that corporations do not want commoners to discuss.

The self-publishing paradox is that although the book market is flooded by grassroots citizens writing and publishing books, the means to support them are not part of conventional business models. Even alternative efforts are suppressed due to social, economic, and linguistic self-destructive elitism. Most people that write books do it because they love it or are best at it, not because of the economic incentives because it is generally well known that artists, musicians, and writers are not given living wages. The attitude that the voice of the people is not worth hearing, has never been considered wise or good.

The ‘Board and Books’ Club

Posted in Adaptive Reuse, Commercial Corporations, Crafts, jobs, Multimedia Communication, Pub Library, Roleplaying / Reenacting, Services, Sales or Trade, Uncategorized with tags , , , , , , , , , , , , , , , , , on September 26, 2018 by Drogo

Urban Used Book Store and More

Before the apocalypse, some of us had opened a shop in the city for a place to sell what we made, to keep a collective library, and for a local hang out for geeks like us. We called it “The Board & Books” and it was an eclectic social community for all classes of gamers, intellectuals, artists, actors, musicians, and book lovers. We served some food and drink, but it was under the table to avoid needing to renovate and pay fees to code, to keep our expenses low since income was minimal mostly from monthly membership. If you stayed for more than an hour we asked that you pay to stay as long as you like, and that was incentive for return visits to get your money’s worth and have a chair and board to “call your own”. Walking sticks, paintings, and other home-made crafts of all kinds were welcome. On some days a smoking club would rent it, and we locked the door and responded only to the secret knock and call.

Our tiny shop version of the Pipedream Pub was called “The BOARD and Books” because we had at least one table to start with for playing games, writing, and studying books on. Table boards were also used for drinks and food when in private club sessions. The collective library was for our members to place books they liked or wrote, including old and new books. There were also prices on most of the books, on the odd occasion that someone wanted to own it for their personal private hoard. We even managed to sell a few poems.

We had old and new carved wood on display: walking sticks, canes, wands, sculptures, board panels, etc..

We had a converted piano made into a harp, flat-wide-screen digital monitor, and book shelf.

piano desk

Random paintings came and went. Art, music, and books were often traded.

Beamer and Tom made an awesome wooden table from old antiques and local barn boards.

railway-table-by-toyo-kichen-style-o

After a few years membership increased and so rates were raised to pay the bills and make some net profit, until Armageddon. During WW3 there was too much economic depression to charge much, and when the urban infrastructure became bad enough we had to close shop in the city, and focus on the Pipedream Pub in the country.  Many of the items and books from the shop were moved to the Pub library and hearth hall.

[ part of SCOD FALLOUT 2020 series script ]

Delft TU Library, Holland

Posted in Education / Schools, Futurist, Sculpture, Uncategorized with tags , , , , , , , , , , , , , , on September 26, 2018 by Drogo

Central Library of Delft University of Technology (TU) in Holland by Mecanoo Architects

This angular and environmentally dynamic library was opened in 1998. It was designed by Mecanoo Architects, which was a 61 person firm located in Holland near Delft TU. The library design was based on four themes: The adjacent pre-existing Auditorium (by Van den Broek & Bakema), the site absence of campus atmosphere in the university quarter, the need for advanced technology, and of course plenty of room for shelves of books.

delft mecanoo 5

It is a “Triangle of Glass and Grass”, with a large tee-pee like ‘Cone’ in the middle. The glass around a few sides allows a large amount of day-light inside. The grass sod roof brilliantly allows people to use the entire area of building as they would a yard, in addition to the library. The center cone allows natural light also, and a communal study space.

delft_mecanoo_entrance

The grassy roof lawn of the Delft TU Library forms a harmonious whole with the campus walkways that emerge from underneath the adjoining assembly hall. The Library roof can be walked upon, but also offers a place of dreaming, reading, and picnicking under open luminous sky. Teachers, students, and visitors call all meet informally in this public space.

delft mecanoo 3

The concrete / stucco Cone structure is open topped and 150 ft. high. The Cone and the cavernous entry are the only main features that are seen from campus, so it appears as though most of the building is not there. On the other sides, the wildly-canted glass wall rises from the parking lot to a max height of about 14 meters (40 ft.). At night the glass wall glows exposing activity within the 4 levels of library stacks, study areas, offices, and storage. The grassy roof shoots across the site creating a gently sloping area in contrast to the nearby ‘Brutalist’ style Auditorium.

delft center circle

Changing illumination (luminous flux) upon the Cone accentuates the sculptural shape as an abstract Platonic solid form, partially deconstructed. The channeling aspect of the Cone shape is intentional, as it is conducive to gathering with focus. The glass walls are towards the North, so they get non-direct ambient light. Horizontal bands around the glass facade facilitate ventilation between the window panes, and give distorted impressionist reflections from the outside on sunny days.

 

The perforated roof overhand is supported by stilted tubular steel struts, and rises from a foundation perimeter plinth-bed of fine stones. Under most of the structure is a spacious hall. A ring of glass circumscribes the Cone at roof level, allowing natural light (solar lumens) to wash in along the curved white stucco funnel side.

Delft University of Technology Library (DUTL) stocks one of the largest technical book collections in the World. Most of the books are stored in stock-rooms in the basement, but those that are accessible to the public are arranged in a single enormous book-case and are within hand reach. The combination of books, computers (with internet and catalogs), and people allows for knowledge, interaction, and better citizens. 300 out of 1000 study spots are equipped with computers (this may have increased).

This ‘Library as landscape’ evokes the feeling of how our ancestors believed technology to be magical, and magic arts were held by their spirits under hills to keep it safe. Not only priests and royal family members are allowed to visit this sacred place of tomes, it is open to all that seek it.

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  • (images for education only, not owned by blog)

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JRR Tolkien Essays

Posted in Book Reports, Uncategorized with tags , , , , , , , on October 15, 2016 by Drogo

Reports on Tolkien

St. John’s at Prospect Hall – Catholic High School 1990-94

Taken from old reports by Walton Stowell, Robert Trainor, & Chris Chromey

*

Middle-Earth: Our History? – based on Rob Trainor’s highschool paper 1993

John Ronald Reuel Tolkien was born in Bloemfontien, South Africa; on January 3, 1892. His father worked there as a banker, although both of his parents were from England. When John was only 4 years old, his father died. His mother Mabel then took young John and his younger brother, back to her native home in Birmingham, England. John was raised there and attended the King Edward School.

In 1904 when John was 12, his mother passed away. From then on he and his brother were raised by a Roman Catholic priest. Tolkien went from King Edward’s school, to Exeter College at Oxford. Before he got his degree, World War I broke out. In 1915 at the age of 23, John Tolkien entered the army, with the Lancashire Fusiliers regiment. The next year he married Miss Edith Bratt, who later became the mother of his children. Tolkien served with the Fusiliers from 1915 until 1918. At the end of WW1, he returned home and went back to college. John got his Masters Degree in 1919.

John studied many languages and knew a number of languages including Latin, German, Gothic, French, Greek, and Middle English. He developed his own hybrid languages, which would be the basis for his novels. John worked for a short time on the famous Oxford English Dictionary. He also became a ‘reader’ professor in English at Leeds University from 1924-25. His first publication was A Middle-English Vocabulary. Then he and E.V. Gordon published a critical text on Sir Gawain and the Green Knight, analyzing the infamous old 14th-Century anonymous poem; John later translated it into modern English verse.

In 1925 John Tolkien left Leeds, and went to Pembroke College at Oxford; where he remained for the next 20 years, as Rawlison and Bosforth ‘Professor of Anglo-Saxon’. John’s imaginary languages led to him forming lands and stories around them. He sorted out places where his languages would be spoken, and what their attitudes might be culturally. John became an Oxford ‘fellow’ and ‘don’. He published Chaucer as a Philologist in 1934. Next came Beowulf: Monster and Critics. Tolkien himself had become a respected philologist. Philology is the study of written words, their origins, and meanings.

He wrote stories for his children, as ‘letters from’ Father Christmas. While grading college papers, John Tolkien began day-dreaming and sketching notes about a ‘hobbit’. In 1937, when Tolkien was 45 he was urged by his colleagues and children to publish his book called The Hobbit. It took him 12 more years to write the Lord of the Rings. It took John his life-time to write the Silmarillion, which was post-humously finished for him by his son, Christopher Tolkien.

‘Middle-Earth’ is the setting for The Hobbit, Lord of the Rings, and The Silmarillion. Tolkien describes Middle-Earth using familiar objects and concepts, that make it seem like it could have existed in the distant past of England. This is how Tolkien conceived many of the ideas, and to many fans there are many charming and philosophical allegories and parallels. According to Tolkien, Middle-Earth (Arda) is ultimately its’ own world set in a fictional past of Earth, and not just mere metaphor.

Tolkien wanted to create a fictional mythology for the English, as they didn’t really have one before (besides the Mabinogion, Book of Kells, Beowulf, and the legends of King Arthur and Robin Hood). He certainly achieved his goal of creation. Middle-Earth should perhaps best be considered a fantasy time period, set in the distant pre-historic past of Europe. The anachronisms and races are very much fantasy, and the themes are mythical.

References where Tolkien compared the reality of modern Europe and the fiction of ancient Middle-Earth include: the landscape and habits of Hobbiton (like Welsh), Hobbiton’s position north-west, general geography, astronomy changes, language roots, and flora and fauna (including insects). “It is plain indeed, that in spite of later estrangement, Hobbits are relatives of ours: far nearer to us than elves, or even than dwarves.” (LOTR I, 20) The land is similar to Europe, but much has changed by years of ‘wind and wave’. The significance of the comparison, is that it gives us familiarity with the setting. These descriptions also add believable gravitas; that the lands have been there for a long time, and slowly changed over time. Things like tobacco, clothing, and chimneys are clearly taken out of time and place and dropped in for amusement.

*

JRR Tolkien – based on Chris Chromey’s research paper, English 11, 1992

“In a hole in the ground there lived a hobbit. Not a nasty, dirty, wet hole, filled with the ends of worms and an oozy smell; nor yet a dry, bare, sandy hole with nothing in it to sit down on or to eat: it was a hobbit hole, and that means comfort.” – 1st paragraph of The Hobbit

In 1938 the world was introduced to its first hobbit. Somehow we fell in love with this short round creature who lives in a hole with a life of comfort and a friendly manner. Throw in an adventure of dwarves, magic treasure, and evil monsters; and you come up with a tale so enchanting that its popularity breaks new ground in literature and pioneers the way of fantasy writing.

John Ronald Reuel Tolkien was the brilliant inventor of the hobbit race (and Middle-Earth). The Hobbit, his first book concerning this magical world, started out as a story Tolkien told to his children in the form of letters he would give them every Christmas (via ‘Father Christmas’ mail), which contained a chapter of hobbit Bilbo Baggin’s adventures and illustrations. Later on in life Tolkien read the hobbit tales to his literary chums, in a jolly writing group called the Inklings. The Inklings were a group of scholars who met with C.S. Lewis in his Magdalen college apartments, and later in old local English taverns. They would talk, read excerpts, and drink with an air of romanticism. Tolkien enjoyed these meetings, perhaps like Bilbo gathering with friends in the Shire of Middle-Earth.

Tolkien’s academic credentials help to explain why he was able to create such wonderful literature. Tolkien studied mythology and languages, with a focus on Celtic and Germanic lore. Tolkien loved English legends, and wanted England to have more of its own mythological literature. He began creating his own languages also, and used characters (like dwarves, valkyries, and elves) from Teutonic folk-lore. Dwarves were like vikings with their Norse beards, weapons, and armor. Elves were like elegant thin human-sized medieval English style faeries. The tree-ents were like dryads, and the wild ‘wose’ men were like Gaels; both of Celtic origins.

His re-imaginings of old ideas became the basis for the modern ‘medieval-fantasy’ genre. Tolkien published the Hobbit and Lord of the Rings few books during his life-time, but he was not able to finish the Silmarillion which was his large bible of Middle-Earth mythology. Pieces of the Silmarillion were edited and published after JRR Tolkien died, by his son Christopher Tolkien. It shows his father’s genius for synthesizing imagination, literature, language, and mythology in extraordinary detail.

Although Tolkien did not use the term ‘fairy’ in his Middle-Earth books, he did create a “fairy world”, or to be more specific an old world of faeries, that humans had begun to colonize and spread into by more rapidly populating. Humans had shorter lives than the other races, so they clearly were procreating faster, and elves were leaving into the West (much as they did in Celtic myths and legends).

About JRR Tolkien’s youth, we know he had a playmate besides his brother when he lived in Africa; named Hillary. They would play fantasy adventures based on stories. When JRR was about 7 years old, he began to compose his own story about a dragon. He recalled a ‘philological fact’ that his mother was more interested in his grammar, than the story or the characters. She pointed out that he should not say “a green great dragon”, but rather “a great green dragon”. This incident ‘put him off’ from writing for many years, and he became ‘taken up’ with language.

JRR Tolkien wrote an essay (similar to Frank Baum’s intro to The Wonderful Wizard of Oz) called ‘On Fairy Stories’, to explaining the relationship between reality, fiction, and folk-lore. Tolkien’s essay also addressed Andrew Lang’s ‘fairy-tales’, and what constitutes stories about the land of ‘Faerie’ and what does not (in the mind of Tolkien). Here is an excerpt:

On Fairy-Stories

Probably every writer making a secondary world, a fantasy, every sub-creator, wishes in some measure to be a real maker; or hopes that he is drawing on reality: hopes that the peculiar qualities of this secondary world (if not all the details) are derived from reality, or are flowing into it. If he indeed achieves a quality that can fairly be described by the dictionary definition: “inner consistency of reality”, it is difficult to conceive how this can be, if the work does not in some way partake in reality. The peculiar quality of the ‘joy’ in successful fantasy can thus be explained as a sudden glimpse of the underlying reality or truth. It is not only a ‘consolation’ for the sorrow of this world, but a satisfaction, and an answer to that question, ‘is it true?’. My answer to this question (that all children ask) was at first (quite rightly): “If you have built your little world well, yes: it is true in that world.” …

To summarize Tolkien’s point here, the art of literature acts as an enchantment upon our minds. A well constructed world of words that tells a story, invites us to believe that the lore is ‘real’. Every writer making a secondary ‘fantasy’ world, wants the reader to desire to believe it is real. This ‘believable’ quality is achieved by using real ‘primary world’ references or characters that can view the fiction through our perspective (and vice-versa). The joy of reading realistic fantasy, is not just escapism, but the thrill of believable travel to that world; by defining its’ own reality. If fiction is well created, it has its’ own consistent truth; which reflects our own reality, each version of every story a magic mirror. The world consistency can change, but it should be reflected on in some way, as in ‘Alice and Wonderland’ stories, the consistency is to be inconsistent with the ‘rules’; with self-exposed unpredictability, as commented on by characters or narration.

By providing linguistic and historic backgrounds, Tolkien gave us the essence of his characters. We can find out more about them, just as we look into non-fiction books for facts about our historical figures. Tolkien thrived on the fact that language is the basis to all communication, and therefore knowledge. Fantasy novels after Tolkien, often imitate his settings and plots, without the depth.

Tolkien’s work feels timeless, like by reading his words we can escape Time. Yet his words also remind us of the power of Time; as with the riddle from the Hobbit:

This thing all things devours;

Birds, beasts, trees, flowers;

Gnaws iron, bites steel;

Grinds hard stones to meal;

Slays kinds, ruins town,

And beats high mountain down.

Tolkien’s narration language seems ancient, and yet timeless because we can still understand it. One critic* accused his ‘boring’ writing of being a ‘syncretic antiquarian collage’. The critic goes on to say that Tolkien’s “ignorance of all he so conscientiously is trying to transmit” … “definitely leaves his writing lacking”. Clearly, the critic was wrong. To me this is a perfect example of how critics that go beyond factual summary, often show their own ignorance and childishness.

* Essays In Memorium; Catherine Stimpson; Salu & Ferrell (editors); Cornell University, 1979

Tolkien loved children, spent time with them, and made sure to be home at night to tuck in his own children. It was his love for children that drove him to write books for them, built upon college graduate level (adult) education and his child-like imagination (which apparently he never lost). He was not content with the children’s fairy tales he had, when he was a child. Tolkien wanted to give children books that he felt they deserved, that even their adult minds’ could grow into with maturity. The age orientation of his books seems to be progressive. The Hobbit is child-like, the Lord of the Rings is for teens, and the Silmarillion is for adults; but because Tolkien was a scholar, the books are really more advanced, always seeming to be one step ahead of the reader, transcending age at every turn.

END

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Why Critics Can Fuck Themselves

Posted in Arts (Design & Performance), Critical Commentary of Civilization, Film Reviews, Interviews, Uncategorized with tags , , , , , on September 29, 2016 by Drogo

If I have any genius instead of talent (see one of the last reviews* a critic gave Edgar Allen Poe), then my luck will not make me rich and famous during my lifetime; as with Stephen King, JRR Tolkien, or George Martin. If I truly have the amazing artistic potential or merit that a true fan might believe, then to the rest of civilization I will most likely end up poor and infamous when I die; as with Edgar Allen Poe, Vincent Van Gogh, or HP Lovecraft. In fact I realize I am no better than Henry Darger.

The real-life mystery of the death of Edgar Allen Poe makes clear how art imitates life, and life imitates art. Furthermore, there may be some problems with society, that makes the life of an artist such a torturous hell throughout history. Perhaps artistic and autistic handicaps are more similar than government support allows. Indeed Capitalism itself seems to be the enemy of human rights for those cursed with an excess of artistic mental ‘gifts’.

I create art, books, and music because I can do nothing else as well. For those that doubt whether I have tried to work paying jobs, see my resume. Yes I can socialize, exercise, and invest in the stock market; but none of those guarantee a living wage. I am lucky that I am smart enough to tie my shoes. I am lucky I can walk. I am lucky that I can enjoy food. I am lucky that I am alive, so perhaps the fact that no one can put a price on it, means that perhaps life is priceless. If life is priceless, and if all human life is worth funding to maintain (as many claim), then perhaps we should not only see the worthlessness of critics, but also we the people should contemplate whether government should direct an economy towards these ends?

 – Drogo Empedocles

*EAP’s last lecture review was sympathetic to a dying poet “…no other writer in the USA has half the chance to be remembered. Had Mr. Poe possessed talent instead of genius, he might have been a money-making author; but his title to immortality could not be surer than it is.” – Charleston newspaper editor

References: Wikipedia

Edgar Allen Poe – In 1849, Poe was found delirious on the streets of Baltimore, “in great distress, and… in need of immediate assistance”, according to a stranger who found him. He was taken to a hospital where he died after a few days. Poe was never coherent long enough to explain how he came to be in his dire condition and, oddly, was wearing clothes that were not his own. He is said to have repeatedly called out the name “Reynolds” on the night before his death, though it is unclear to whom he was referring. Some sources say that Poe’s final words were “Lord help my poor soul”. All medical records have been lost, including his death certificate. Newspapers at the time reported Poe’s death as “congestion of the brain” or “cerebral inflammation”, common euphemisms for deaths from disreputable causes such as alcoholism. The actual cause of death remains a mystery. Speculation has included beatings, alcohol poisoning, delirium tremens, heart disease, epilepsy, syphilis, cholera, and rabies. One theory dating from 1872 suggests that ‘cooping’ was the cause of Poe’s death, a form of electoral fraud of forced voting, sometimes leading to violence and even murder. The author of his critical obituary hated him.

Vincent Van Gogh – suffered fits of despair and hallucination during which he could not work, between long clear months in which he did, punctuated works of extreme visionary ecstasy (like bi-polar). He was often too depressed and unable to write, but he was still able to paint and draw a little. In 1890, aged 37, Van Gogh shot himself in the chest with a revolver. The bullet was deflected by a rib and passed through his chest without doing apparent damage to internal organs – probably stopped by his spine. Doctors tended to him as best they could, then left him alone in his room, smoking his pipe. The following morning Theo rushed to his brother’s side, but Vincent was dead within hours resulting from the wound. According to Theo, Vincent’s last words were: “The sadness will last forever”.

HP Lovecraft – Throughout his life, selling stories and paid literary work for others did not provide enough to cover Lovecraft’s basic expenses. Living frugally, he subsisted on an inheritance that was nearly depleted by the time of his last years. He sometimes went without food to afford the cost of mailing letters. Eventually, he was forced to move to smaller and meaner lodgings with his surviving aunt. He was also deeply affected by the suicide of his correspondent Robert E. Howard. In early 1937, Lovecraft was diagnosed with cancer of the small intestine, and so suffered from malnutrition. He lived in constant pain until his death in 1937, in Providence, RI.

Henry Darger – Famous only post-humously. Darger’s landlords, came across his work shortly before his death. No one seemed to know or care about his art or writing before, because he kept them secret. His book ‘Realms of the Unreal’ may be the longest book known at over 15,000 pages. He was known as a poor old crazy janitor.

Medusa sculpt

Review of ‘Harpers Faery Outlaws’

Posted in Book Reports with tags , , , , , on September 29, 2016 by Drogo

Critical Review of ‘Harpers Faery Outlaws‘ by Jack Madhard

Harpers Faery Outlaws was worse than the best critic could write, if they were trying to write a bad novel. It is not even full modern novel length, which is why I guess the publisher called it a ‘novella’. It is unclear whether the author was trying to be funny, confusing on purpose, or there were multiple untalented authors that just threw their stories together for the hell of it.

This book made we want to stop reading books, it was so bad. You may read it and say “it wasn’t too bad”, to which I would say “yes, yes it was”. I was bored with the book after reading the first word. Nothing can convince me that this book was anything else but total rubbish. A first grader could have done better.

Some of the characters may have been interesting, if I was born with only half a brain. The arrogance of this author, to presume that anyone would be interested in reading his writing is beyond belief. This book is bad, so terribly and inconceivably bad. I cannot say it enough times; this book is bad.

Tell all your friends not to read this book. Do not even buy it. If you borrow this book, promptly ‘lose’ it; I recommend burning this book. All respectable professional establishments should ban this filthy liberal attempt at advancing civil-rights through medieval metaphor. The author should be ashamed, if not executed for his crimes against humanity.

Next week, I will review a much better book, by a dear friend of mine, who will most likely invite me to parties. I may have to get a lobotomy to forget about reading this book by Drogo Empedocles. Anyway, as I always say, keep on reading (except for this book)!

– Jack Madhard of the Hardford Gazette 9/29/2016

Paperback book now available on Amazon!

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Harpers Faery Outlaws Audiobook read by Author!